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        to specialize in child psychiatry, he learned   (“vacuous tripe” shading to “sinister   advice giving
        about ADD and eventually established   noise”)—can make his praise of folk cul-        via 16 different
        himself as an expert in the disorder.   ture feel like snobbery. Nevertheless, folk    practitioners
        Hallowell asserts that he works on him-  music historians and enthusiasts will find    spanning over
        self morally and spiritually and believes   much of interest in this well-researched   three centuries,
        that he has achieved a “fairly good out-  book. Photos. (May)                          from late-17th-
        come as far as character is concerned.”                                                century London
        While the narrative moves too quickly at   Milk: A 10,000-Year Food Fracas             publisher
        times, Hallowell is earnest in his assess-  Mark Kurlansky. Bloomsbury, $29 (384p)     John Dunton
        ments about his search for his life’s   ISBN 978-1-63286-382-9                         through 21st-
        calling. (June)                     Kurlansky’s entertaining, fast-paced               century “life
                                          history of milk exhibits his usual knack for         coach” Martha
        Lament from Epirus:               plumbing the depths of a single subject   Beck. While cautioning that some of the
        An Odyssey into Europe’s          (Cod, Salt). He shares a series of anecdotes   advice discussed is “extreme, outdated, or
        Oldest Surviving Folk Music       on the evolution of milk’s production and   downright insane” (such as 19th-century
        Christopher C. King. Norton, $29.95 (272p)   consumption, as well as on its roles in var-  diet guru William Alcott’s strict no-
        ISBN 978-0-393-24899-9            ious cultures, such as in ancient Greece—  tomatoes rule), Weisberg stresses that
          An obscure European musical tradition   according to Greek mythology, the god-  her subjects were essentially well-inten-
        rebukes the sterility of modern culture   dess Hera formed the Milky Way galaxy   tioned, and not charlatans or hypocrites.
        according to this bombastic appreciation-  when she spilled milk while breastfeeding   Intriguingly, the book highlights trends
        cum-jeremiad. King, a musicologist and   Heracles, and each drop became a star.   over time, including the emergence of
        record collector, travels to Epirus, a region   Many Sumerian stories involve the search   secular advice givers from the late 17th
                           straddling     for a reliable milking animal, and Hindu   to mid-19th century, the domination of
                           northwestern   creation myths tell of the god Vishnu cre-  the 20th by either self-styled “confidants”
                           Greece and     ating the universe by churning a sea of   or credentialed experts, and the current
                           southern       milk. Kurlansky points out that every   trend of striking a balance between
                           Albania, to    milk-drinking culture searched for the   approachability and professionalism.
                           savor its unique   animals that provided the best source of   Weisberg describes the distinctive traits
                           folk music,    milk—mares, pigs, reindeer, donkeys,   of her book’s subjects, such as Ben
                           which combines   camels—but that the most important   Franklin’s use of pseudonyms, columnist
                           droning back-  issue for each culture was finding which   Dorothy Dix’s combination of sympathy
                           grounds with   milk-producing animals could be domes-  with tough love, and astrologer Joan
                           almost atonal   ticated easiest. By the 16th century, the   Quigley’s direct line to the Reagan White
                           violin and clar-  Netherlands had become the dairying   House. Both those devoted to and
        inet noodlings, in a style that aficionados   center of Europe; the Dutch and others   bemused by self-help literature will
        concede can feel like “ear torture” to the   brought cows with them to America, and   profit from this insightful look into an
        unaccustomed. The music’s nonconfor-  by 1629 cows outnumbered people in the   ever-relevant and changing facet of
        mity is a virtue, King contends, making it   Virginia colony. He ranges over the history   American society. (Apr.)
        a paragon of localism and authenticity   of making milk safe, the ongoing debate
        comparable only to Mississippi Delta   between the benefits of raw milk versus   Cousins Maine Lobster:
        blues for its rootedness in its terroir and   pasteurized milk, and the growth of large,   How One Food Truck Became
        defiance of bland commercial aesthetics.   industrialized dairy farms. Kurlansky’s   a Multi-Million-Dollar Business
        King soaks up the Epirotic folkways,   charming history of milk brims with   Jim Tselikis and Sabin Lomac. St. Martin’s,
        dancing at sometimes-raunchy village fes-  excellent stories and great details. (May)   $26.99 (288p) ISBN 978-1-250-12217-9
        tivals and quaffing anise-flavored moon-                              Tselikis and Lomac come across as thor-
        shine. He relates stories of Ottoman atroc-  Asking for a Friend:                      oughly likable
        ities and legends of the area’s musicians,   Three Centuries of Advice on Life,        storytellers in
        meanwhile arguing that folk music per-  Love, Money, and Other Burning                 this account of
        forms a crucial social “healing” function.   Questions from a Nation Obsessed          how they trans-
        King’s evocations of Epirus and Epirotic   Jessica Weisberg. Nation, $27 (320p)        formed from
        music—its haunting forlornness, “the   ISBN 978-1-56858-534-5                          business neo-
        heavy despair of the clarinet and the sad   Self-help books may seem especially        phytes, with a
        avian mimicry of the violin”—are vivid   ubiquitous today, but as journalist           half-baked idea
        and engaging. Unfortunately, his sour   Weisberg writes in her winning debut,          to relive their
        attacks on all other music—from classical   the “American self-help empire has been    Maine child-
        (“lofty but groundless”) to big band (“vac-  sprawling aggressively for decades.” She   hoods, into the
        uous, mediocre and sucking”) to pop   recounts the evolution of professional           founders of a

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