Page 114 - Student: dazed And Confused
P. 114

My characters are quite stereotypical in how they are  presented.  I was sort of frightened of
                making them too different because  I didn't know if I could get away with it.


               The final outcome isn't definite in  my own  mind yet but I am wary about making it cliche
               and  new-man.  There are too many of them already.  This has to stay classic-man.


                I set it in Birmingham as almost all  novels in this genre are set in  London and, you  know,
                people in the rest of the country have novel-worthy lives.  I also know how the Birmingham
                road system for disabled  people works which  is going to play a  role too.



               The story is littered with swearing and  bad  English and  people dropping the ends of words.  I
                know I can get away with  it to an extent but this is meant to be a guy telling this story and
                he doesn't strike as being too highly educated.


               Goodnight Steve McQueen is a good  book and shows that women can write decent bloke-lit
               though I  usually favour male writers across the board.  Nick Hornby is a good starting point
               for the genre but the best-observed  novels seem to be by less prolific writers and  I tried to
               shy away from reading more than the odd few pages here and there.







               TUTOR NOTES -
               Chapters -  Great voice for your protagonist.  Misogynist or what?  I think your decision to go
               along with the unregenerate bloke (I don't know any other kinds)  is interesting, though
               there is a danger it will all stay on the same note.  You have strong shades of Clarkson and
               Top Gear built in  her and  i think you've done it very well.  But now you need to find
               somewhere to go with  it.
               We need to see him develop as a character (why?  Men generally don't).  He  must either

                move away from his girlfriend's stereotypical  behaviour and find some-one more individual
               and  interesting, or deepen and  change the  relationship he already has.  Your idea of a
               terrible accident sounds very promising -  it could change them  both  in fascinating (possibly
                bloody) ways.  But you  need to either move the relationship forward  right now or bring the
               accident forward to Chapter 3.
               Writer's notes -  Some good  insights into your process,  but i would  haave welcomed  more
               analysis of the models you used (the blokey part of my personality) so as to show how the
               original stories and  styles worked.



               OVERALL MARK          -      66
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