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But hear° me, signor—  46                                                       {note}


               —Antonio                     Mark you this, Bassanio,
               The devil can cite scripture for his purpose.
               An evil soul producing holy witness° 47                                 / that cites the holy books
               Is like a villain with a smiling cheek,
                               48
               A goodly° apple  rotten at the heart.°                                  / shiny    // to the core
                                                       49 50
               O, what a godly° outside falsehood hath!                                {goodly} / tempting
                   + [aside]  Of all the men in Venice, good Bassanio,,
                    +Could ye not find a one but this vile usurer? ,  51


               —Shylock
               Three thousand ducats.  ‘Tis a good round sum.
               Three months from twelve; now,° let me see the rate. . . .              {then}


               —Antonio
               Well, Shylock, shall we be indebted° to you?                            {beholding} / beholden

               —Shylock
               Signior Antonio, many a time and oft
               In the Rialto you berated° me,                                          {have rated}
               About my monies° and my usances—                                        / business
               Yet° I have borne it with a patient shrug,                              {still}  > always





               46.  What was Shylock going to say before he was interrupted?  Clearly he is derailed by Antonio’s harsh
               comments—or perhaps by some extraneous distraction, such as the knocking over of some money or some paper on
               his table.  In the next line, Shylock composes himself by stating something obvious and bland {Three thousand
               ducats, ‘tis a nice round sum} then he regains his previous line of thought—where he expresses his deep resentment
               at the way Antonio  has treated him.    [See Additional Notes, 1.3.93]
               47.  witness: accounts, testaments, evidence (to support his evil views)
               48. {goodly} > appearing good on the outside
               49.  Antonio’s harsh words—if spoken directly to Shylock—reflect his true feelings (which he is not able to hold
               back) even though such an outburst jeopardizes Bassanio’s chances of getting the loan.  To paint Antonio in a more
               sensitive light, these words  could be spoken as an ‘aside’ to Bassanio.
                       If Shylock is meant to hear these words it would come as a frontal attack, referring to him as a devil, an evil
               soul, a rotten apple, and a villain.  Antonio says this unabashedly, with impunity, as if somehow he is entitled to
               speak to Shylock in such a way—even when he is in the situation of disadvantage and in need of Shylock’s help.
               (Later in the conversation Antonio continues his stance by saying, I am as like to call thee so again, to spit on thee
               again, to spurn thee, too. [126-27])  Shylock never speaks to Antonio in this way as he does not feel the same kind
               of entitlement or superiority as does Antonio.  Even later, when the tables turn and Shylock has full power over
               Antonio, he does not attack him with words, nor does he use any disparaging terms.  He only refers back to what
               Antonio has called him, thou called’st me dog, yet he does not attack Antonio nor call him a dog. What Shylock does
               when in a position of power, rather than attack and abuse, is to retreat, to refuse Antonio the right to speak
               [3.3.12;13;17].    [See Additional Notes, 1.3.99]
               50. / O, how these lies are wrapped in good appearance.  / Oh what a good appearance falsehood wears!
               51. These lines could be added to reveal Antonio’s discomfort at being in the presence of a usurer—and tangentially
               show that his hatred is toward the vile practice of usurers, not Jews (otherwise the line might have read: ‘Could ye
               not find a one but this vile Jew?’)
                    To more forcefully show Antonio’s position, and specifically show that his hatred against Shylock is in regard to
               his practice of usury and not his Jewishness, Antonio could praise the Jews while pointing out that Shylock’s actions
               are at odds with those of his own people.  Thus, the following lines could be added instead:
                       +Now here is one who serves his own interest,
                       +And thus befouls the honor of his own people. ,   / And fouls the righteousness of his own people
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