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P. 43

Sometimes  I  wonder  cf  ’Bijah’s  crusty,  he  does  such  cur’ous  things.
                   Hev  I  told  you  about  his  bedstead  yit ?— 1 Twits  fuii  of  wheels  and

                           springs;

                   It:  had a  key  to  wind  it  up,  and  a  dock  face  at the  head ;
                   A ll  you  did  was  to  turn  them  hands,  and  at  any  hour  you  said,
                   That  bed  got  up  and  shook  itself,  and  bounced  you  on  the  floor,
                   A nd  then  shct  up,  jest  like  a  box,  so  you  couldn't  sleep  any  more.

                   W a’al  'Bijah  he  fixed  it  all  complete,  and  he  sot  it  at  half-past  five,
                   But  he  hadn’t  morc’n  got  into  it  when— dear  me!  sakes  alive!
                   Them  wheels  began  to  whiz  and  whir  1  I  heerd  a  fearful  .snap I

                   And  there was that bedstead, with  ’Bijah  inside,  shet up jest like a trap!

                   I  screamed,  of  course,  but  ftwran’t  no  use ;  then  T  worked  that  hull
                            long  night
                   A-try in’  to  open  the  pesky thing.    A t  last  I  got  in  a  fright;
                   I  couldn’t  hear  his  voice  inside,  and  I  thought  he  might  be  dyin ;
                   So  I  took  a  crow-bar  and  smashed  it  in.-—-There was  "Bijah,peacefully
                            Lyin',

                   Inventin’  a  wav  to  ml.  out a^nin.   That  was  all  verv  well  to  say,
                                         o         |-_i                       j             •>  1
                   But  I  don't b ’lieve  he’ti  have  found  it  out  if  I ’d  left  him  in  all  day.

                   Now,  scncc  I ’ve  told you  my  story,  do  you  wonder  I ’m  tired  of  life?
                   Or  think  it  strange  I  often  wish  I  w anrt  an  inventor's  wife?
                                                                        M r s.  E .  T,  Q>kbe£t t .
                                                   L E S S O N   T A L K ,
                       It is     tin :tt 'Mrs,  'lSijn.li  llrown  ift very much  ve^cd Tvlth  Mr.  Brown.  The
                   tone irnd ni;i;mor ^iiouKl  show this nn-r]  give  expression  to  the  contempt  she  ftniis
                   "Viv a 11] £111  who dots ik>L  (.‘vtu  t:li op  Lilt'  wood,  bufc-wsistes his Lilne  11 111 vent ill1  fijews-
                   harp to go by  BtofiiiL”  There  is also a vein  of ridicule  hi  this  selection  -which  you
                   should  show by an  ut^asionnT  half-sneerim;  hmgh,   tosisol'the liuad*  aud a gesture
                   of tlie arm  dowuivard  aud  baek,  fthowii  in  I^^Lirc 4,  Tart  1,
                       This reading aJTorcEti  an  excellent  opportunity to  produce  -sheet  by  emphasis
                   ■ ">:i  words aud clauses,  ib-r  example,  the  word  11 him "  in  the  t rs*  line,  an d ‘‘ m e”
                   in the  Fourth..  The chariiettr  of  TiijnU  sbouiil  he?  personified  hy  a  slew,  drawling
                   II Iterance.   When  yon  rradi  the  part  where be  is  pictured as  shut inside  his  bed-
                   liLc^d,  Lei. there he n. 3 narked increase of auimaLion aud drain atic expression.  iSmplr^
                   the easy, oonversiituniLil  Lune  throughout.
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