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of the votive stones called Masseboth. However, even the figure of Jacob presents not a few
obscure sides. He lived for several years in Harran, the same city where the Picatrix was
created. Biblical testimonies
tell that he was a pastor, but the writers Adrian Gilbert and William Dermaud, nurture
reasonable doubts and do not exclude that he also had a deep knowledge on astronomy and
that he was informed of some secrets about the constellation of Orion and the universe;
probably handed down by the Sabines. Orion recalls to Egypt, to its mythical pyramids. The
three great calls: Jacob’s staff, the Milky Way, Jacob's ladder. In 1861 the painter Eugene
Delacroix portrayed the Patriarch in one of the three blades (Jacob’s struggle against the
Angels) kept in the
chapel of the Holy Angels
near the enigmatic
church of Saint Sulpice,
in Paris. Like most of the
works of art present in
this temple, this painting
also shows various
allegories that are
related to the town of
Rennes le Château with
the mystical Order of the
Priory of Sion which will
follow in the future
another article of study.
It is said of the engaged
struggle on the bank of a
ford, between an Angel
messenger of God and the Patriarch himself. The fight lasts a whole night, ending with the
defeat of the man, who appointed that place Penuel, or the face of God (perhaps a reference
to those unfaced stems venerated at Bethel.) At dawn, the Angel went away renaming Jacob
with the name Israel. The philosopher Edouard Schurè sees in the name Jacob a probable
Phoenician origin, but then asserts that with the prefix IS (such as Isaac, Ishmael, Isaiah,
Isis, Israel) it could also be called an Egyptian initiation. I believe that behind that fight
there is, in reality, a proof: a rite of affiliation, as revealed by the wound on the thigh and the
uncovered knee of the progenitor.
Schurè devoted
much time to the study of the Great Initiates, he analysed the Egyptian
literature in depth, dedicating himself to the divine figure of Hermes
Trismegistus. He who is called the master of secrets. He, turning to his
disciple Asclepius, said: What is eternal cannot be measured by the
short meter of time! In my opinion these words are to be connected to
the name of Jacob which in Hebrew means precisely the measurement
of time. Rereading certain pages of Schurè's work, I was able to note
with surprise that Jacob's dream is not a narrative of Christian
Catholic origin, but a popular version of Fiat lux, or the Vision of
Hermes. So, let's go with the imagination along the Nile valley, on the deserts of Egypt,
where ... Hermes feels pervaded by a marvellous luminescence, in diaphanous waves the
forms were paraded before him fascinating of all living things. Suddenly he felt a terrifying
darkness, sank into a damp, smoky chaos, where the god Osiris appeared to him. The story
continues with the sight of an incredible spectacle: the infinity of the space bounded by 7