Page 421 - BSU Undergraduate-Catalog-2017-2019

MUSA 177,178,277,278,377,378,477,478 APPLIED FRENCH HORN (FALL, SPRING) 2 CREDITS
This course is a study of scales, arpeggios, and selected etudes and solos in all styles.

MUSA 179,180,279,280,379,380,479,480 APPLIED VIOLIN (FALL, SPRING) 2 CREDITS
This course is a study of scales, arpeggios, and selected etudes and solos in all styles.

MUSA 181,182,281,282,381,382,481,482 APPLIED VIOLA (FALL, SPRING) 2 CREDITS
This course is a study of scales, arpeggios, and selected etudes and solos in all styles.

MUSA 183,184,283,284,383,384,483,484 APPLIED CELLO (FALL, SPRING) 2 CREDITS
This course is a study of scales, arpeggios, and selected etudes and solos in all styles.

MUSA 185,186,285,286,385,386,485,486 APPLIED INSTRUMENTAL (FALL, SPRING) 2 CREDITS
This course is a study of scales, arpeggios, and selected etudes and solos in all styles.

MUSA 191,192,291,292,391,392,491,492 CLASS PIANO (FALL, SPRING) 2 CREDITS
Prerequisite: Audition or Permission of Instructor. This course provides group instruction in technique, musicianship, and repertoire designed to
develop general keyboard facility with chords, scales, sight-reading, harmonization, transposing, and improvising. Open to all students with no
previous instruction.

MUSA 195,196,295,296,395,396,495,496 VOICE CLASS (FALL, SPRING) 2 CREDITS
This course provides group instruction in technique of musicianship and repertoire through solo and group performance.

MUSC: MUSIC CONCENTRATION COURSE DESCRIPTIONS

MUSC 100 DEVELOPMENTAL MUSIC THEORY (FALL Only) 0 CREDIT
Fine Arts Majors Only. This course is a study of the physics of musical sounds, conventions of notation, fundamental musical grammar, melodic
construction, cadences, and simple melodies harmonized with block chords.

MUSC 101 FUNDAMENTALS OF MUSIC (FALL, SPRING) 3 CREDITS
This course is a study of functional musical skills. Designed for the general student, this course provides instruction and drill in reading music,
sight singing, recorder playing, and keyboard harmony.

MUSC 102 JAZZ WORKSHOP (FALL, SPRING) 3 CREDITS
This course is a study of functional musical skills. Emphasis is placed upon the study of diverse jazz styles and literature, ensemble
performance, and improvisation.

MUSC 110 INTRODUCTION TO ELECTRONIC MUSIC (FALL, SPRING) 3 CREDITS
Prerequisite/s: Required for all Fine Arts Majors. Prior knowledge of music fundamentals will assist in the understanding of course materials. Open
to all BSU students. Introduction lab design to learn software programs used to sequence and notate music. Comprehension of MIDI (Musical
Instrumental Digital Interface) music is developed through application of digital and electric music devices interfaced with the computer
using step-time and real-time applications.

MUSC 111 KEYBOARD TECHNOLOGY 1 (FALL, SPRING) 2 CREDITS
Prerequisite/s: MUSC 110: This course is designed to develop knowledge of keyboards and synthesizers, through the use of MIDI. Students
learn how to sequence, using cord symbols, pre-recorded music examples and sheet music.

MUSC 112 KEYBOARD TECHNOLOGY II (FALL, SPRING) 3 CREDITS
Prerequisite: MUSC 111: Continuation of MUSC 111. Preparation of music using analog instrument and synthesized sounds. Creating drum
tracks for various styles of music.

MUSC 145 MUSIC HISTORY TO 1810 (FALL Only) 3 CREDITS
Fine Arts Majors only. This course is a study of the history of music from the early Christian Era through the music of Early Beethoven.

MUSC 146 MUSIC HISTORY SINCE 1810 (SPRING Only) 3 CREDITS
Fine Arts Majors Only. This course is a study of the history of music from the middle period of Beethoven to the present time.

MUSC 155 BASIC MUSIC THEORY (THEORY I) (FALL Only) 3 CREDITS
Fine Arts Majors Only. This course is a study of the physics of musical sounds, conventions of notation, fundamental musical grammar, melodic
construction, cadences, and simple melodies harmonized with block chords.

MUSC 156 INTERMEDIATE MUSIC THEORY (THEORY II) (SPRING Only) 3 CREDITS
Fine Art Majors Only. This course is a study of functional harmony using figured bass, inversions, seventh chords, secondary function, non-

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