Page 56 - Martial Science Magazine Dec/2014 #6
P. 56

On view of all these technical elements, the most important aspects
                   to carry out the Ukemi can be regarded as:

Pose: it must be always in accordance with the type of downfall to be performed,

Position: it will be the one taken on by the arms, legs and head, and they must be in correspon-
dence with the kind of fall assumed,
Chin position: the chin must always be taken to the chest,
Head control: the necessary muscles must be activated so that they prevent the head from hitting
against the ground,
Body turn: the one carry out by the body as a conditioned reflex which orients them movements
of the body in relation to time and space,
Take off: the body must be taken off from the ground or pavement in such a way that it feels hang
up and free to carry out any kind of movement in the air, since by the gravitation law it will return it
to the ground,
Running-in: it refers to the action carried out by the body on the pavement or floor which avoids
impacts against any anatomical areas,
Backing or support points: it refers to the points that regularly support the body and prevent
from impacts against the ground; the arms, hands, feet and major muscles from the external side of
the body are regarded as support points.

    Definitions of the different types of Ukemi
    Ukemis:                Kaiten:             Nagare:                Tobi:

      When the body        When it is carried  When it is done in When the downfall
       remains on the       out in a rolling   an easy manner in      is carry out
    basic position of the                      relation to the tech-  jumping.
     falling after being   movement, rising    nique carried out by
       thrown down.        immediately after   the opponent, the
                                               main characteristic
                               the impact.

                                               of this Ukemi is
                                               its peculiar silence
                                               movement and the
                                               necessary combina-
                                               tion to the oppo-
                                               nent’s technique.

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