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                                                                                     PEOPLE & ARTS Wednesday 4 september 2019
            Rushdie creates modern Don Quixote for tale of love, family




            By ROB MERRILL               elections.” Miss Salma R. is  and  the  good  looks.”  The
            Associated Press             addicted to painkillers and  book is crammed with pop
            “Quichotte”      (Random     Quichotte  was  a  traveling  culture references like that.
            House), by Salman Rushdie    pharmaceutical  salesman  He may be partly satirizing
            Good  news!  You  don’t      before  embarking  on  his  America’s  obsession  with
            have  to  read  Cervantes’   quest.                       celebrities,  but  there’s  no
            masterwork     to    enjoy   Rushdie     even      gives  doubt  that  Rushdie  has
            Salman  Rushdie’s  modern    Quichotte his own Sancho,  paid attention to the trend.
            reinvention. You’ll probably   dreamed  to  life  while  Sancho  again,  this  time  in
            pick  up  on  hundreds  of   witnessing   the   Perseids  an  inner  monologue:  “A
            additional      references   meteor shower near Devils  zillion channels and nothing
            and  inside  jokes  if  you   Tower  in  Wyoming.  As  in  to hold them together.
            have,  but  Rushdie  has     Cervantes’  novel,  Sancho  Garbage  out  there,  and
            created  something  that     is  the  pragmatist  to  his  great  stuff  out  there,  too,
            feels  wholly  original  even   father’s idealist.        and  they  both  coexist  at
            if  you’ve  never  heard  of   When   Quichotte    uses  the  same  level  of  reality,
            the  hopelessly  romantic    the    lessons   of   “The  both give off the same air
            Spanish  knight-errant  who   Bachelorette”   to   help  of authority.
            sees danger in windmills.    plan  his  pursuit  of  Salma  How’s  a  young  person
            It  does  help  to  have  an   R.  —  “No  great  quest,  my  supposed  to  tell  them
            open     mind,   however.    boy,  was  ever  achieved  apart?  ...  Every  show  on
            Rushdie’s         so-called   except by those with faith.”  every network tells you the
            “magical  realism”  (that’s   —  Sancho  retorts:  “But  same  thing:  based  upon
            lit-crit  for  “making  stuff  up   if  faith  is  all  you’ve  got,  a  true  story.  ...  the  true   This cover image released by Random House shows “Quichotte”
            in an otherwise mostly real   you’re  going  to  lose  out  story is there’s no true story   by Salman Rushdie.
            setting”)  is  on  full  display   to the guy with the moves  anymore.”q                                                       Associated Press
            here. There are mastodons
            in  New  Jersey,  a  talking
            cricket  (“you  can  call  me
            Jiminy”)  and  even  Oprah
            Winfrey  has  a  legitimate
            talk- show competitor.
            The crazy plot can’t truly be
            summarized in a 500-word
            review,  but  Rushdie  tells
            two  stories  simultaneously,
            Quichotte’s quest to meet
            and    live   happily-ever-
            after  with  Miss  Salma  R.,
            the  aforementioned  talk-
            show host of Indian origin,
            and  the  man  writing  his
            story,  pen  name  Sam
            DuChamp,       who     has
            written only “modestly (un)
            successful” spy novels until
            he  conceives  Quichotte.
            The two stories bounce off
            each  other  in  delightful
            ways,    often   matching
            each    other   character-
            for-character,      before
            finally  interweaving  in  a
            blockbuster  ending  that
            feels  earned,  even  if  not
            quite real.
            Throughout  it  all  Rushdie
            serves  up  his  hallmark
            social  criticism.  Quichotte
            is introduced as a 70-year-
            old  man  of  “retreating
            mental  powers”  suffering
            from brain damage caused
            by  watching  too  much
            television.  He  lives  in  the
            present,  or  what  Rushdie
            calls the age of “Anything-
            Can-Happen,”      a   time
            when  it  “was  no  longer
            possible  to  predict  the
            weather,  or  the  likelihood
            of war, or the outcome of
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