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c - The «prison» is analogous to the «cultural structure». Also: some parts of the «prison», walls,
pits, bridges, etc. are analogous to some parts of the «cultural structure», that is, the
«preeminent cultural premises» .

Take present, Dr. Siegnagel that, in the allegory, even the «guards» and the «prison» are
intermediaries between the prisoner and the exterior world. But the «guards» are «dynamic»
intermediaries (analogous to the «reason» in the asleep man) while the «prison» is a «static»
intermediary (analogous to the «cultural structure» of the asleep man).

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a - Beyond the last wall of the prison extends the «exterior world», that reality that will be
never seen by the «prisoner» because the structure of the «prison» limits his movement and
because a «guard» permanently cares to maintain that situation.

b - The Self, in the asleep man, is usually immersed in the depths of the cultural structure,
floating lost within its artificial and statics elements and subordinated to the implacable

tyranny that the «reason» performs. The cultural structure surrounds completely the Self,
except for some slits, from where weakly emerges the «sensorial sphere». Beyond the cultural
structure, as object of the sensorial and instinctive spheres, extends the «exterior world», the
reality that couldn't be «seen» (on its truth, «just how it is») by the lost Self.

c - The «exterior world» beyond the prison is analogous to the «exterior world» beyond the
«cultural structure» that sustains the Self in the asleep man.

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a - In a nearby mountain, the Kameradens try to help the «prisoner» to escape from the
«prison». For it they send a message, in their natal language, using the acoustic way. In that
message there is an «infantile song» to «awake» the prisoner, and a «love song», with the «key
of the ring», to search the secret exit and escape.

b - In an occult «centre» called Agartha, the Loyal Gods try to help the asleep man to break the
chains that maintains him immersed in the material world of the Demiurge. For this, they send
charismatically a message in the «language of the birds», using the Vrunes of Navutan. In the
message there is a «primordial memory», to wake up and orientate the man, and a «L-ove song»
with the «key of the ring», to search the centre, go back to the Origin, abandon, as a God, the
material hell of Jehovah Satan.

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