Page 168 - A Little Life: A Novel
P. 168

first  solo  show,  “The  Boys,”  a  series  of  twenty-four  paintings  based  on
                photographs he’d taken of the three of them. As he’d promised years ago,
                JB had let him see the pictures of him that he wanted to paint, and although

                he had approved many of them (reluctantly: he had felt queasy even as he
                did so, but he knew how important the series was to JB), JB had ultimately
                been less interested in the ones he’d approved than in the ones he wouldn’t,
                a few of which—including an image in which he was curled into himself in
                bed,  his  eyes  open  but  scarily  unseeing,  his  left  hand  stretched  open
                unnaturally wide, like a ghoul’s claw—he alarmingly had no memory of JB
                even taking. That had been the first fight: JB wheedling, then sulking, then

                threatening,  then  shouting,  and  then,  when  he  couldn’t  change  his  mind,
                trying to convince Willem to advocate for him.
                   “You realize I don’t actually owe you anything,” JB had told him once he
                realized his negotiations with Willem weren’t progressing. “I mean, I don’t
                technically have to ask your permission here. I could technically just paint
                whatever the fuck I want. This is a courtesy I’m extending you, you know.”

                   He could’ve swamped JB with arguments, but he was too angry to do so.
                “You promised me, JB,” he said. “That should be enough.” He could have
                added, “And you owe me as my friend,” but he had a few years ago come to
                realize  that  JB’s  definition  of  friendship  and  its  responsibilities  was
                different  than  his  own,  and  there  was  no  arguing  with  him  about  it:  you
                either accepted it or you didn’t, and he had decided to accept it, although
                recently, the work it took to accept JB and his limitations had begun to feel

                more enraging and wearisome and arduous than seemed necessary.
                   In the end, JB had had to admit defeat, although in the months before his
                show opened, he had made occasional allusions to what he called his “lost
                paintings,” great works he could’ve made had he, Jude, been less rigid, less
                timid, less self-conscious, and (this was his favorite of JB’s arguments) less
                of  a  philistine.  Later,  though,  he  would  be  embarrassed  by  his  own

                gullibility, by how he had trusted that his wishes would be respected.
                   The  opening  had  been  on  a  Thursday  in  late  April  shortly  after  his
                thirtieth  birthday,  a  night  so  unseasonably  cold  that  the  plane  trees’  first
                leaves had frozen and cracked, and rounding the corner onto Norfolk Street,
                he had stopped to admire the scene the gallery made, a bright golden box of
                light  and  shimmered  warmth  against  the  chilled  flat  black  of  the  night.
                Inside,  he  immediately  encountered  Black  Henry  Young  and  a  friend  of

                theirs  from  law  school,  and  then  so  many  other  people  he  knew—from
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