Page 172 - A Little Life: A Novel
P. 172

which the director of the gallery had sold it to an important British collector
                and the owner of the gallery had sold it to the Museum of Modern Art.
                   “So, perfect,” Willem said to Malcolm, knowing Malcolm would ferry

                his  words  back  to  JB.  “JB  should  tell  the  gallery  that  he’s  keeping  the
                painting, and he should just give it to Jude.”
                   “He can’t do that,” Malcolm said, as appalled as if Willem had suggested
                simply tossing the canvas into a trash can. “It’s MoMA.”
                   “Who  cares?”  Willem  asked.  “If  he’s  that  fucking  good,  he’ll  have
                another shot at MoMA. But I’m telling you, Malcolm, this is really the only
                solution he has left if he wants to keep Jude as a friend.” He paused. “And

                me, too.”
                   So Malcolm conveyed that message, and the prospect of losing Willem as
                a friend had been enough to make JB call Willem and demand a meeting, at
                which  JB  had  cried  and  accused  Willem  of  betraying  him,  and  always
                taking Jude’s side, and obviously not giving a shit about his, JB’s, career,
                when he, JB, had always supported Willem’s.

                   All of this had taken place over months, as spring turned into summer,
                and he and Willem had gone to Truro without JB (and without Malcolm,
                who told them he was afraid of leaving JB on his own), and JB had gone to
                the Irvines’ in Aquinnah over Memorial Day and they had gone over the
                Fourth  of  July,  and  he  and  Willem  had  taken  the  long-planned  trip  to
                Croatia and Turkey by themselves.
                   And then it was fall, and by the time Willem and JB had their second

                meeting, Willem had suddenly and unexpectedly booked his first film role,
                playing the king in an adaptation of The Girl with the Silver Hands and was
                leaving to shoot in Sofia in January, and he had gotten a promotion at work
                and had been approached by a partner at Cromwell Thurman Grayson and
                Ross, one of the best corporate firms in the city, and was having to use the
                wheelchair Andy had gotten him that May more often than not, and Willem

                had  broken  up  with  his  girlfriend  of  a  year  and  was  dating  a  costume
                designer  named  Philippa,  and  his  former  fellow  law  clerk,  Kerrigan,  had
                written a mass e-mail to everyone he had ever worked  with in which he
                simultaneously  came  out  and  denounced  conservatism,  and  Harold  had
                been asking him who was coming over for Thanksgiving this year, and if he
                could stay a night after whoever he invited had left, because he and Julia
                needed  to  talk  about  something  with  him,  and  he  had  seen  plays  with

                Malcolm and gallery shows with Willem and had read novels that he would
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