Page 170 - A Little Life: A Novel
P. 170

But then he had moved to the third and final wall and had seen them: two
                paintings, both of him, neither of which JB had ever shown him. In the first,
                he  was  very  young  and  holding  a  cigarette,  and  in  the  second,  which  he

                thought was from around two years ago, he was sitting bent over on the
                edge of his bed, leaning his forehead against the wall, his legs and arms
                crossed and his eyes closed—it was the position he always assumed when
                he was coming out of an episode and was gathering his physical resources
                before attempting to stand up again. He hadn’t remembered JB taking this
                picture, and indeed, given its perspective—the camera peeking around the
                edge  of  the  doorframe—he  knew  that  he  wasn’t  meant  to  remember,

                because he wasn’t meant to be aware of the picture’s existence at all. For a
                moment, the noise of the space blotted out around him, and he could only
                look and look at the paintings: even in his distress, he had the presence of
                mind to understand that he was responding less to the images themselves
                than to the memories and sensations they provoked, and that his sense of
                violation that other people should be seeing these documentations of two

                miserable  moments  of  his  life  was  a  personal  reaction,  specific  only  to
                himself.  To  anyone  else,  they  would  be  two  contextless  paintings,
                meaningless unless he chose to announce their meaning. But oh, they were
                difficult for him to see, and he wished, suddenly and sharply, that he was
                alone.
                   He made it through the post-opening dinner, which was endless and at
                which he missed Willem intensely—but Willem had a show that night and

                hadn’t been able to come. At least he hadn’t had to speak to JB at all, who
                was busy holding court, and to the people who approached him—including
                JB’s gallerist—to tell him that the final two pictures, the ones of him, were
                the best in the show (as if he were somehow responsible for this), he was
                able to smile and agree with them that JB was an extraordinary talent.
                   But later, at home, after regaining control of himself, he was at last free

                to articulate to Willem his sense of betrayal. And Willem had taken his side
                so  unhesitatingly,  had  been  so  angry  on  his  behalf,  that  he  had  been
                momentarily soothed—and had realized that JB’s duplicity had come as a
                surprise to Willem as well.
                   This had begun the second fight, which had started with a confrontation
                with  JB  at  a  café  near  JB’s  apartment,  during  which  JB  had  proven
                maddeningly incapable of apologizing: instead, he talked and talked, about

                how  wonderful the pictures were, and how  someday,  once he had gotten
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