Page 576 - A Little Life: A Novel
P. 576

“Come  on,  Harold,”  he  says.  “Just  to  the  first  bench.”  Malcolm  has
                placed three benches along the path he has hacked through the forest to the
                house’s  rear;  one  is  located  about  a  third  of  a  way  around  the  lake;  the

                second at the halfway point; and the third at the two-thirds point. “We’ll go
                slowly, and I’ll take my cane.” It has been years since he has had to use a
                cane—not since he was a teenager—but now he needs it for any distance
                longer than fifty yards or so. Finally, Harold agrees, and he grabs his scarf
                and coat before Harold can change his mind.
                   Once they are outdoors, his euphoria increases. He loves this house: he
                loves how it looks, he loves its quiet, and most of all, he loves that it is his

                and  Willem’s,  as  far  from  Lispenard  Street  as  imaginable,  but  as  much
                theirs  as  that  place  was,  something  they  made  together  and  share.  The
                house, which faces a second, different forest, is a series of glass cubes, and
                preceding it is a long driveway that switchbacks through the woods, so at
                certain  angles  you  can  see  only  swatches  of  it,  and  at  other  angles  it
                disappears completely. At night, when it is lit, it glows like a lantern, which

                was  what  Malcolm  had  named  it  in  his  monograph:  Lantern  House.  The
                back of the house looks out onto a wide lawn and beyond it, a lake. At the
                bottom of the lawn is a pool, which is lined with slabs of slate so that the
                water is always cold and clear, even on the hottest days, and in the barn
                there is an indoor pool and a living room; every wall of the barn can be
                lifted up and away from the structure, so that the entire interior is exposed
                to the outdoors, to the tree peonies and lilac bushes that bloom around it in

                the early spring; to the panicles of wisteria that drip from its roof in the
                early summer. To the right of the house is a field that paints itself red with
                poppies in July; to the left is another through which he and Willem scattered
                thousands of wildflower seeds: cosmos and daisies and foxglove and Queen
                Anne’s lace. One weekend shortly after they had moved in, they spent two
                days  making  their  way  through  the  forests  before  and  behind  the  house,

                planting lilies of the valley near the mossy hillocks around the oak and elm
                trees,  and  sowing  mint  seeds  throughout.  They  knew  Malcolm  didn’t
                approve of their landscaping efforts—he thought them sentimental and trite
                —and  although  they  knew  Malcolm  was  probably  right,  they  also  didn’t
                really  care.  In  spring  and  summer,  when  the  air  was  fragrant,  they  often
                thought of Lispenard Street, its aggressive ugliness, and of how then they
                wouldn’t even have had the visual imagination to conjure a place like this,
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