Page 643 - A Little Life: A Novel
P. 643

on a dinner back then—that he and Willem would eat with butter and salt.
                The bakery is still there, and now he veers west off Park to go buy a loaf,
                which  somehow  seems  to  have  remained  fixed  in  price,  at  least  in  his

                memory, while everything else has grown so much more expensive. Until
                he  began  his  Saturday  visits  to  Lucien  and  the  Irvines,  he  couldn’t
                remember  the  last  time  he  was  in  this  neighborhood  in  daytime—his
                appointments with Andy are in the evenings—and now he lingers, looking
                at the pretty children running down the wide clean sidewalks, their pretty
                mothers  strolling  behind  them,  the  linden  trees  above  him  shading  their
                leaves into a pale, reluctant yellow. He passes Seventy-fifth Street, where he

                once  tutored  Felix,  Felix  who  is  now,  unbelievably,  thirty-three,  and  no
                longer a singer in a punk band but, even more unbelievably, a hedge fund
                manager as his father once was.
                   At the apartment he cuts the bread, slices some cheese, brings the plate to
                the table and stares at it. He is making a real effort to eat real meals, to
                resume  the  habits  and  practices  of  the  living.  But  eating  has  become

                somehow  difficult  for  him.  His  appetite  has  disappeared,  and  everything
                tastes like paste, or like the powdered mashed potatoes they had served at
                the home. He tries, though. Eating is easier when he has to perform for an
                audience, and so he has dinner every Friday with Andy, and every Saturday
                with JB. And he has started appearing every Sunday evening at Richard’s—
                together the two of them cook one of Richard’s kaley vegetarian meals, and
                then India joins them at the table.

                   He  has  also  resumed  reading  the  paper,  and  now  he  pushes  aside  the
                bread and cheese and opens the arts section cautiously, as if it might bite
                him. Two Sundays ago he had been feeling confident and had snapped open
                the first page and been confronted with a story about the film that Willem
                was to have begun shooting the previous September. The piece was about
                how  the  movie  had  been  recast,  and  how  there  was  strong  early  critical

                support for it, and how the main character had been renamed for Willem,
                and he had shut the paper and had gone to his bed and had held a pillow
                over his head until he was able to stand again. He knows that for the next
                two years he will be confronted by articles, posters, signs, commercials, for
                films Willem was to have been shooting in these past twelve months. But
                today there is nothing in the paper other than a full-page advertisement for
                The Dancer and the Stage, and he stares at Willem’s almost life-size face

                for a long, long time, holding his hand over its eyes and then lifting it off. If
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