Page 644 - A Little Life: A Novel
P. 644

this were a movie, he thinks, the face would start speaking to him. If this
                were a movie, he would look up and Willem would be standing before him.
                   Sometimes he thinks: I am doing better. I am getting better. Sometimes

                he wakes full of fortitude and vigor. Today will be the day, he thinks. Today
                will be the first day I really get better. Today will be the day I miss Willem
                less. And then something will happen, something as simple as walking into
                his closet and seeing the lonely, waiting stand of Willem’s shirts that will
                never be worn again, and his ambition, his hopefulness will dissolve, and he
                will be cast into despair once again. Sometimes he thinks: I can do this. But
                more and more now, he knows: I can’t. He has made a promise to himself to

                every day find a new reason to keep going. Some of these reasons are little
                reasons,  they  are  tastes  he  likes,  they  are  symphonies  he  likes,  they  are
                paintings he likes, buildings he likes, operas and books he likes, places he
                wants to see, either again or for the first time. Some of these reasons are
                obligations:  Because  he  should.  Because  he  can.  Because  Willem  would
                want him to. And some of the reasons are big reasons: Because of Richard.

                Because of JB. Because of Julia. And, especially, because of Harold.
                   A little less than a year after he had tried to kill himself, he and Harold
                had taken a walk. It was Labor Day; they were in Truro. He remembers that
                he  was  having  trouble  walking  that  weekend;  he  remembers  stepping
                carefully  through  the  dunes;  he  remembers  feeling  Harold  trying  not  to
                touch him, trying not to help him.
                   Finally  they  had  sat  and  rested  and  looked  out  toward  the  ocean  and

                talked: about a case he was working on, about Laurence, who was retiring,
                about Harold’s new book. And then suddenly Harold had said, “Jude, you
                have to promise me you won’t do that again,” and it was Harold’s tone—
                stern, where Harold was rarely stern—that made him look at him.
                   “Harold,” he began.
                   “I try not to ask you for anything,” Harold said, “because I don’t want

                you to think you owe me anything: and you don’t.” He turned and looked at
                him, and his expression too was stern. “But I’m asking you this. I’m asking
                you. You have to promise me.”
                   He hesitated. “I promise,” he said, finally, and Harold nodded.
                   “Thank you,” he said.
                   They had never discussed this conversation again, and although he knew
                it wasn’t quite logical, he didn’t want to break this promise to Harold. At

                times, it seemed that this promise—this verbal contract—was the only real
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