Page 261 - Duct Tape Marketing
P. 261

245Chapter 15: Public Relations and Publicity

  ߜ For TV, avoid patterned clothes or jangly jewelry. Accept makeup assis-
      tance if it is offered.

  ߜ Acquaint yourself with the locations of the camera, microphones, and
      monitors, and, whenever you’re in the studio, protect yourself by assum-
      ing that you’re on-air.

  ߜ Think and speak in sound bites no longer than 20 seconds.
  ߜ On radio shows, use commercial breaks to learn from the host what

      topic you will discuss next.

  ߜ Avoid any effort to be promotional and don’t hog the microphone.
  ߜ Smile, show confidence, and be thoughtful with your answers.
  ߜ Don’t take notes, don’t answer if you don’t know, and don’t hesitate to

      build a bridge to a point you want to make by tagging a statement such
      as by the way onto an answer.

Staging news conferences

Companies like the concept of news conferences a lot more than editors and
reporters do. In fact, many media organizations, including many small-town
newspapers and stations, simply won’t attend ribbon-cutting and ground-
breaking events, considering them promotional and easily described in
simple news releases. Even the most newsworthy conference (in your view)
can be eclipsed by late-breaking news. Stage a news conference only for a
huge and time-sensitive announcement and only in the following cases:

  ߜ When important news should be announced simultaneously to all media.
  ߜ When news is best told in person, backed by displays, and followed by

      the chance for reporters to ask questions.

  ߜ When you are presenting important speakers or celebrities.

Watch your words

People pay a big price for attacking someone’s      ߜ Libel: Printed statements that are untrue,
reputation in the media. To stay out of trouble in      defamatory, and harmful
media interviews, steer clear of negative opin-
ions about others.                                  ߜ Slander: The verbal form of libel

For the record, here are two terms you don’t
ever want to hear again:
   256   257   258   259   260   261   262   263   264   265   266