Page 148 - The Art of Learning by Josh Waitzkin_Neat plip book
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because    he   loved   Dylan   so   much,   but    the   nex t   step   woul d   have   be en   to
                gradually  listen  to  less  and  less  mus ic,   unt il  he   onl y  had   to  thi nk   abo ut   the

                tune   to   click   into   the   zone.   This   pr ocess   is   systematic,   straightforward,   and
                rooted in the most stable of all princi ples: i ncr emental growth.
                    As   for   me,   the   Tai   Chi   meditative   movements   becam e   my   rout ine .   Every
                day  before  training  at  my  dojo,  we  took  about   six  minut es  and  “did  the   form.”

                Then  Push  Hands  class  began,      and   a  num ber   of  the   top   studen ts  went   at  it
                with  the  same  intensity  with  which  we  woul d  appr oach  compet ition.  I  learne d
                virtually  everything  I  know  about  Tai  Chi   from  my  years  of  traini ng    in   tha t
                studio  on  23rd  Street.  There  is  no  place  more  peacef ul   and  ener gizing  for  me.

                So  in  addition  to  the  stand-alone  ben efits  of  Tai  Chi   meditation,  my  bo dy   and
                mind  learned  to  connect  the  form  with     my  peak    per formance  state  be caus e  I
                always did the form before training i n m y most ins pi ring s etting.
                    But  I  did  not  leave  it  at  that.  I  had   learned   that   martial  arts  tour na ment s

                are,  if  anything,  unpredictable.  We  do n’t  always  have  fi  e  minut es  of  pe ace  and
                quiet   before   going   to   battle.   After   my   di sconcer ting   exper ience   in   the    2000
                World  Championships,  I  spent  a  number   of  mont hs   sho rtening  the   amount   of
                preparation  I  needed  to  be  primed  for  the  moment.  The  essence  of  the   Tai  Chi

                meditative    movements      is   the   continued    gat her ing   and   release   of   bo dy    and
                mind    as   the   practitioner   flows   thr ough   the   various    martial   postur es.   As   I
                inhale,  my  mind  comes  alive,  and  I  visual ize  ener gizing  from  my  feet  int o  my
                fingers.  When  I  exhale,  the  mind  relaxes,  the  bo dy   de-energizes,  lets  go ,  winds

                up,  and  prepares  for  the  next  inflation.   In  essence,  if  you  igno re  the   conc rete
                strengths  of  the  various  postures,  Tai  Chi   meditation  is  the  practice  of  ebb  and
                flow,   soft   and   hard,   yin   and   yang,   chan ge.   So   in   theo ry   I   sho ul d   be    abl e   to
                condense the practice to its essence.

                    Incrementally,  I  started  shortening  the  amount   of  form  I  did  before  starting
                my  training.  I  did  a  little  less  than  the  who le  form,  then    3 /4  of  it,  1 /2,  1 /4.  Over
                the   course   of   many   months,    utilizing   the   incremental   appr oach   of   small
                changes,  I  trained  myself  to  be  compl etely  prepared  after  a  deep  inha lation  and

                release.  I  also  learned  to  do  the  form  in  my  mind  witho ut   moving  at  all.  The
                visualization   proved    almost   as   po werful    as   the   real   thi ng.   Thi s   ide a   is   no t
                without    precedent—recall     the   numbers   to   leave   numbers,   form   to   leave   form,   and
                Making  Smaller  Circles  discussions  in  Part  II.  At  a  high  level,  pr inci ples  can  be

                internalized   to   the   point   that   they   are   bar ely   recogni zabl e   even   to   the    most
                skilled observers.
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