Page 150 - The Art of Learning by Josh Waitzkin_Neat plip book
P. 150

CHAPTER 18




                                              MAKING SANDALS










                    To walk a thorny road, we may cover its every inch with leather or we can make sandals.




                Anger.  Fear.  Desperation.  Excitement .  Happi nes s.  Despai r.  Hope.  Emotions  are
                part  of  our  lives.  We  would  be  fools  to  den y  such   a  rich  element  of  the   huma n
                experience.  But,  when  our  emotions   overwhel m  us ,  we  can  get   sloppy.  If  fear
                reduces   us   to   tears,   we   might   not   act   effectively   in   a   genui nel y   da nge rous

                situation.   If   we   seethe   when   someone   crosses   us,   we   may   make   de cisions    we
                come  to  regret.  If  we  get  giddy  when   thi ngs   are  looki ng  up,  we  will  pr oba bl y
                make some careless mistakes that tur n o ur  go od s ituat ion ups ide d own.
                    Competitors  have  different  ways  of  appr oachi ng  thei r  emotions   in  the   he at

                of  battle.  Many  either  feel  that  their  natur al  movements  are  irrepressibl e  or  fail
                to consider the question altogether. Thes e are not ideal  appr oaches —i f we do n’t
                think   the   issue   through,   chances   are   we   will   be   cont rolled   by    our    pa ssions .
                There  are  performers  who  recognize  the      disrupt ive  potential  of  emotions   and

                try  to  turn  them  off,  become  cold,  detached,  steely.  For  some  personal ities  thi s
                might    work,   although   in   my   opini on   denial   tends    to   melt   down   whe n   the
                pressure becomes fierce.  Then there are tho se elite per formers who  us e emotion,
                observing    their   moment   and   then   channel ing   everythi ng   int o   a   de epe r   focus

                that   generates   a   uniquely   flavored   creativity.   Thi s   is   an   interesting,   resilient
                approach    based   on   flexibility   and   subt le   int rospect ive   awareness.   Ins tead   of
                being  bullied  by  or  denying  their  unco ns cious ,  thes e  players  let  the ir  int erna l
                movements       avor their   res.

                    Over the years,  at various stages of my dev elopm ent,  I hav e found  myself all
                over  this  spectrum.  In  time,  I  have  come  to  believe  that   thi s  last  style,  rooted
   145   146   147   148   149   150   151   152   153   154   155