Page 79 - The Art of Learning by Josh Waitzkin_Neat plip book
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weekday  nights  when  most  peopl e  cho se  to  stay  ho me.  Then   it  was  jus t  Che n
                and  one  or  two  die-hards,  a  private  lesson.  But   more  often  ther e  were  ten  or  so

                beginners    in   the   room,   working   out    thei r   issues ,   trying   to   smooth   the ir
                movements.     Master  Chen  would  stand      in   front   of  a  large   mirror  so  he   coul d
                observe  the  students  while  leading  the  class.  He  woul d  smile  and    make   some
                little  quip  about  the  current  squab bl e  between  hi s  son  and  dau ght er.  He  was

                very mortal.  No fancy words.  No spi ritual  claims.  He didn’t expect  the  bo wing
                and  scraping  usually  associated  with  Chinese  martial  arts—“I f  I  can  do   it,  you
                can do it,” was his humble message.
                    Chen    reminded     me   quite   powerful ly   of   Yur i   Razuv aev,   the   Yoda -like

                Russian    chess   teacher   who   had   enco ur aged   me   to   nur tur e   my   natur al   voice.
                Chen  had  the  same  kind  of  insight  int o  the  studen t,  altho ugh  hi s  wisdo m  was
                very  physical.  I  could  be  doing  the  form  in  class,  feel  a  little  off,  and  he   woul d
                look  at  me  from  across  the  room,  tilt  his  head,  and  come  over.  The n  he   woul d

                imitate  my  posture  precisely,  point   to  a  leg  or  a  spo t  on  the  lower  ba ck  whe re
                there  was  tension,  and  demonstrate  with  hi s  bo dy   ho w  to  ease  the   crimp.  He
                was   always   right.   Chen’s   ability   to   mimic   phy sical   struct ur e   do wn   to   the
                smallest  detail  was  amazing.  He  read  the    body   like   a  gr eat  chess  pl ayer  reads

                the  board.  A  huge  element  of  Tai  Chi   is  releasing  obs truct ions   so  the   bo dy   and
                mind    can   flow   smoothly   together.   If   ther e   is   tension   in   one   pl ace,   the    mind
                stops  there,  and  the  fluidity  is  broken .  Chen   coul d  always  see  whe re  my  mind
                was.

                    Over    time,   as   we   got   to   know   each   other,   our    int eractions    be came
                increasingly    subtle.   He   would    notice   a   small   hi tch   in   my   form   like    a
                psychological  wrinkle  buried  deeply  in  my  sho ul der,  and  from  across  the   room,
                in  a  blink,  he  would  look  into  my  eyes,  take  on   my  struct ur e,  make   a  small

                adjustment,  and then fall back into his own  body  and  move on  with  the  class.  I
                would  follow  and  immediately  feel  released,  as  if  somebody   had  take n  a  he avy
                knot out of my back.  He might glance  back  to check  if I had  no ticed,  he  might
                not.  If  I  was  ready,  I  would  learn.  It  was  amazing   ho w  many  stude nt s  woul d

                miss  such  rich  moments  because  they  were  looki ng  at  them selves  in  the   mirror
                or  impatiently  checking  the  time.  It  took    ful l  concent ration   to  pi ck   up   each
                valuable  lesson,  so  on  many  levels  Tai  Chi   class  was  an  exercise  in  awarene ss.
                While  this  method  worked  very  well  for  me,  it  also  weeded   out   stude nt s  who

                were   not   committed    to   serious   pr actice.   I’ve   seen   many   emerge   bo red   from
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