Page 86 - The Art of Learning by Josh Waitzkin_Neat plip book
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cripples growth and makes Tai Chi look  like an extension  of rus h  hour  in  Times
                Square.  In  those  early  Tai  Chi  years,  my  mission  was  to  be  wide  ope n  to  every

                bit  of  information.  I  tried  my  best  to  learn  from  each  error,  whet he r  it  was  my
                own  or  that  of  a  training  partner.  Each  Pus h  Hands   class  was  a  revelation,  and
                after  a  few  months  I  could  handle  most  pl ayers  who   had   been   study ing   for  a
                few years.

                    This was an exciting time. As I internal ized Tai Chi ’s techni cal founda tion,  I
                began    to   see   my   chess   understandi ng   manifesting   itself   in   the   Pus h   Hands
                game.  I  was  intimate  with  competition,  so  offbeat   strategic  dy nam ics  were  in
                my  blood.  I  would  notice  structural  flaws  in  someone’s  postur e,  jus t  as  I  might

                pick  apart  a  chess  position,  or  I’d  play  with  combi nat ions   in  a  manne r  pe opl e
                were  not  familiar  with.  Pattern  recogni tion  was  a  strengt h  of  mine   as  well,  and
                I quickly picked up on people’s tells.
                    As   the   months   turned   into   years,   my   training   becam e   more   and   more

                vigorous  and  I  learned  how  to  dissolve  away  from  attacks   whi le  staying  rooted
                to  the  ground.  It  is  a  sublime  feeling  when   your   root  kicks  in,  as  if  you  are  no t
                standing on the ground but anchored many feet deep  into the  earth.  The  ke y is
                relaxed   hip   joints   and   spring-like   bo dy    mechan ics,   so   you   can   easily   receive

                force  by  coiling  it  down  through  your   struct ur e.  Worki ng  on  my  root,  I  be ga n
                to feel like a tree, swaying in the wind  up  top,  but  deepl y pl anted do wn  low. In
                time,  I  was  also  able  to  make  my  Tai  Chi   meditation  pr actice  manifest  in  Pus h
                Hands  play.  Techniques  that  are  hi dden   withi n  the  form  started  to  come  out   of

                me   spontaneously     in   martial   exchan ges ,   and   sometimes   par tner s   woul d   go
                flying   away   from   me   without    my   cons cious ly   doing   much    at   all.   Thi s   was
                trippy, b ut a natural consequence of systematic training.
                    I  have  mentioned  how  a  large  part  of  Tai  Chi   is  releasing  tension  from  your

                body  through  the  practice  of  the  meditative  form.  Thi s  is  effectively  a  clearing
                of interference.  Now,  add in the coordi nat ion  of breathi ng  with  the  movement s
                of  the  form,  and  what  you  have  is  bo dy   and  mind  ener gizing  into  action  out   of
                stillness.  With practice,  the stillness is increasingl y profound  and  the  trans ition

                into   motion   can   be   quite   explosive—thi s   is   wher e   the   dynam ic   pus hi ng   or
                striking   power   of   Tai   Chi   emerges:   the   radical   chan ge   from   empt ine ss   int o
                fullness.  When  delivering  force,  the    feeling   inside   the   bo dy   is  of  the   gr ound
                connecting    to   your   finger   tips,   with   nothing   blocking   this   communi cation.

                Highly  skilled  Tai  Chi  practitioners  are  incredibl y  fast,  fl  d,  respo ns ive—i n  a
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