Page 43 - Bulletin, Vol.81 No.1, May 2022
P. 43

THE GREAT RETURN OF BOOKS

               During this 'phoney' period, which was not more phoney than the “phoney war”, it was
               necessary to reinvent oneself to fill the void left by the absence of social and cultural
               activities.

               There  was  television,  but  the  public  stations  were  unable  to  make  the  most  of  this
               period to offer reruns of good cultural programmes or concerts.


               So, personally I dipped into my stock of "To be read one day !!!!" books and found some
               treasures. It was not possible to buy new ones, as culture was not considered essential.
               See the previous paragraph for evidence of this.

               This period also allowed me to question my choices for leisure and my priorities. It was
               a long time to be on probation, with plenty of time to think about things, and even to get
               depressed.

               What do books mean to me? A source of information, a moment of relaxation, a return
               to good French (sorry I read more often in French than in English). I'm resisting all these
               new words that have blossomed during the pandemic and which, moreover, have been
               invited into the new versions of dictionaries. In fact, the language has evolved more in
               two  years  than  in  the  last  thirty.  The  members  of  the  French  Academy  have  even
               managed to give a gender to COVID.

               This led me to talk about it with some of my friends who are avid readers. For them, of
               course,  we  don't  even  question  the  fact  that  reading  is  a  bit  like  breathing,  we  do  it
               without thinking about it. But why don't we all read? Because of a lack of time, laziness
               or simply because we have not been initiated to it.

               Once again we come back to the essential, education that determines our future. And
               this  is  how  we  realise  how  lucky  we  were  to  live  in  countries  that  gave  us  the
               opportunity to acquire the basics. The garden was ready, it was up to us to cultivate it.


               But  let's  go  back  to  the  books:  you  can  read  them  as  soon  as  they  appear,  usually
               printed on  good paper, presented  with a beautiful cover, with the feeling  of being an
               insider,  you  can  wait  for  them  to  come  out  in  "paperback"  format,  and  then  you  can
               acknowledge  this  wonderful  progress  in  allowing  the  less  well-off  to  access  reading,
               subscribe to the village library and let others choose for you, download them to make
               them accessible everywhere and diversify the possibilities, and even choose to access
               them  in  audio  format,  which  allows  the  visually  impaired  to  retain    the  pleasure  of
               "reading".

               But we still don't know why we choose this or that book. For years my choices were
               guided by a certain Bernard Pivot on French television who put us in touch with writers.
               Fortunately,  there  are  still  some  literary  programmes  today,  but  unfortunately  not  on
               prime-time  channels.  Sometimes  I  simply  wander  around  the  shelves  of  cultural
               supermarkets,  yes  these  exist  too,  and  it  is  often  the  cover  that  catches  my  eye.  By
               reading the summary on the back cover, I decide on whether to read it ... or not.

               AAFI-AFICS BULLETIN, Vol. 81 No.1, 2022-05                                                41
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