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the skirt of his soutane at each end of his beat. Decoud mur-
       mured to him ironically: ‘Those gentlemen talk about their
       gods.’
          Father  Corbelan  stopped  short,  looked  at  the  journal-
       ist of Sulaco fixedly for a moment, shrugged his shoulders
       slightly,  and  resumed  his  plodding  walk  of  an  obstinate
       traveller.
         And  now  the  Europeans  were  dropping  off  from  the
       group around Charles Gould till the Administrador of the
       Great Silver Mine could be seen in his whole lank length,
       from head to foot, left stranded by the ebbing tide of his
       guests on the great square of carpet, as it were a multi-co-
       loured  shoal  of  flowers  and  arabesques  under  his  brown
       boots.  Father  Corbelan  approached  the  rocking-chair  of
       Don Jose Avellanos.
         ‘Come, brother,’ he said, with kindly brusqueness and a
       touch of relieved impatience a man may feel at the end of a
       perfectly useless ceremony. ‘A la Casa! A la Casa! This has
       been all talk. Let us now go and think and pray for guid-
       ance from Heaven.’
          He rolled his black eyes upwards. By the side of the frail
       diplomatist—the life and soul of the party—he seemed gi-
       gantic, with a gleam of fanaticism in the glance. But the
       voice of the party, or, rather, its mouthpiece, the ‘son De-
       coud’ from Paris, turned journalist for the sake of Antonia’s
       eyes, knew very well that it was not so, that he was only a
       strenuous priest with one idea, feared by the women and
       execrated by the men of the people. Martin Decoud, the
       dilettante  in  life,  imagined  himself  to  derive  an  artistic
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