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Otis Rush - Blues Master

                                                   John Holmes


           ast month we looked at the life of Magic
           Sam, who unfortunately did not live long enough
     Lto receive his just desserts as a musician
     during  his  lifetime.  Otis  Rush  was  a
     contemporary  of  Sam,  who  did  live  long
     enough to receive world wide acclaim, but also
     suffered from nerves, stage fright and ill health
     on and off throughout his adult life.

     Like  so  many  blues  musicians,  Rush  had  a  strong
     emotional and soulful vocal style, as well as being an
     inspirational guitar player, and is quoted as an influence
     by  many  other  players,  such  as  Eric  Clapton,  Mike
     Bloomfield, Stevie Ray Vaughan, and Southampton’s
     own Pete Harris!

     He  was  born  in  Philadelphia,
     Mississippi on 29 August 1934,
     one  of  seven  children  of
     farmers  O.  C.  Rush  and  Julia
     Boyd.  As  a  young  child  Otis
     sometimes sang in the local church
     choir, but at an early age was drawn
     to  the  country  blues  sounds  of
     Tommy  McClennan  and  Lightnin’
     Hopkins. Although attracted by the
     guitar,  like  Magic  Sam  he  initially
     started  to  learn  the  harmonica,
     although older brother Leroy had a
     guitar  that  he  never  was  able  to
     master. The young Otis would pick
     up the instrument when his brother
    was  out,  and  try  to  produce  some
    pleasing sounds. The guitar was strung
    right  handed,  but  Otis  did  not  know  the
    difference, so as a leftie he just tried to play it as
    it was.

    Age 14 he travelled to Chicago, to stay with his
    older sister; eventually deciding to remain there,
    where he worked in the stockyards - “a steel mill,
    packing house, driving a truck……different jobs”,
    according to Otis.

    In the city his sister took him to performances by
    such  as  Muddy  Waters  and  Jimmy  Rogers,                            insp
    iring him to start playing the guitar with more serious intent than he had been.
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