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BiTS: Okay. When you first started playing with a band, how did you find playing in
public?

WW: Yeah, it's always been very natural. I think when you're younger, because I started

playing that when I was about 18 or 19, you have quite a big ego at that age [laughs].

BiTS: Yes. That’s true.

WW: Which you need, I think in order to get out and do it, because I wasn't very good
when I started, but I was confident. I probably thought I was much better than I was
at the time, but that gave me the confidence to get out and do it.

BiTS: People don't realise that
playing the harp, blues harp anyway,
is actually extremely physical work.
Do you do any kind of training or

anything like that in preparation?

WW: Yeah, I mean, I lift weights and
stuff at the gym anyway, but the way

that I play harmonica in particular is
very demanding on the breath.

BiTS: Yes, of course.

WW: Because I use my own tuning,
it's called the Wilde tuning, which
lets me play more of the upper

octave, blues rock kind of licks, and
90% of the notes that I play are draw

notes. So inhale.

BiTS: Yes.

WW: So I'm always like right on the

very edge of my breath capacity
[chuckles] when I'm on stage. I need
as much lung capacity as I can get. So

I try and do cardio. I avoid smoking and vaping and I do some yoga breathing exercises
as well, which I find help a lot.

BiTS: That's absolutely fascinating. Really, because I've tried to talk to harp players

in the past about how physical it is, and most of them are reluctant to talk about it in
a sense.

WW: Right, yeah. When you start getting into the sort of fast blues rock stuff especially,

it is like an extreme sport, you know [laughs]?