Page 37 - BiTS_09_SEPTEMBER_2023_Neat
P. 37

his blues society, and they were putting on a competition for the International Blues Challenge,
    and he invited me up to compete in that and they had an acoustic solo section. I had only played
    out a few times up into that point, at least just doing the solo, and I went ahead and entered and
    somehow was selected to represent that chapter at the IBC. So I went to the IBC, I think my first
                                                         time was 2007, up in Memphis, and got to compete
                                                         at the International Blues Challenge, which was a
                                                         big deal to me and still is.

                                                         BiTS:  Were you in San Antonio by this time?

                                                         MS: Yes, I was. I was in San Antonio.

                                                         BiTS:  I love San Antonio, one of my favourite places
                                                         in Texas. You don't know about me that I used to
                                                         work in Fort Worth.


                                                         MS: Yes, yes. I live outside in the Hill Country in a
                                                         little community called Bernie. It's a little German
                                                         Hill Country town right outside of San Antonio, and
                                                         they  have  a  downtown  area  that's  perfect  for
                                                         performing and stuff like that.

                                                         BiTS:  Aside from blues, you have a very, very wide
                                                         interest of musicians. You seem to have recorded
                                                         in practically every style of guitar work that there
                                                         is. What is it that attracts you to guitar music?

                                                         MS: Yeah, it goes back to what I was saying earlier,
                                                         I just love music and I've dabbled in a lot of different
                                                         things. I don't know if you’re much into some of the
                                                         blue side of jazz, but I got into Wes Montgomery
                                                         and  Kenny  Burrell.  When  I  listened  to  them,  I
    couldn't stop listening to them.

    BiTS:  (Laughing) And you've done books of music transcription and guitar tab and all that kind
    of stuff. How do you find the time?

    MS: Yeah. Yep, I do things just to learn and broaden my experience, so putting those books
    together was a learning experience for me to go through and document and transcribe that work.
    I put a solid year or two into that, just working on it and I think it paid off. I think it helped me
    think differently about music too (laughs), re-encapsulating what I'd already recorded. And then
    those books came out right around pre-COVID/COVID time and COVID was a very prosperous

    time for writing, I guess, because of the isolation and ability to focus.

    BiTS:  Yes, that's very sensible, of course, to take advantage of that. Over the years, Mark, you've
    won loads of awards. Is there anything that's outstanding to you?

    MS: Oh well, I think being chosen to represent Austin in the Austin Blues Challenge at IBC because
    Austin’s a big music town and Ginger Pickett and myself entered the solo competition. There's
    great players in Austin, and that was nice to be selected by Austin to represent them. The other
    one  was  a  Texas  music  award  in  2014,  for  an  all-instrumental  album  I  composed  called
    “Hazepipe”. The idea of that album was just to take all my influences and put them together in
    one, and I literally I think, have a little bit of jazz influence, a tiny bit of country, all in that one
   32   33   34   35   36   37   38   39   40   41   42