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poorly recorded. “Blind Man's Blues” was recorded in a little room. My wife made the mistake of
    leaving for the weekend and I had a gig, and I got in at midnight and I went in an empty 10x12
    room with hardwood floors and stuck a mic up and got a beer and started playing, and by the end
    of the weekend, I had a record (chuckling).

    BiTS:  (Laughs) Good for you. Yes, that's wonderful.


    MS: Yeah, you can hear the reverb of the room. It wasn't the ideal room, and it was done with a
    cheap microphone, but it was pretty much impromptu and from the heart, if you will. There's lots
    of mistakes on it and all that, but anyway, that's how that one started.

    BiTS:  Well, the reverb of the room is taking you right back to Robert Johnson and that hotel in
    San Antonio.

                                                                                   MS: Yeah, that's special too. It
                                                                                   is special being in San Antonio
                                                                                   and     roughly      half    those
         The Gunter Hotel                                                          recordings  were  recorded  in
                                                                                   the San Antonio sessions and
                                                                                   the other, of course, the other
                                                                                   half  were  recorded  the  next
                                                                                   year in Dallas. And I had the
                                                                                   liberty  of  one  year,  we
                                                                                   recognise  Robert  Johnson's
                                                                                   contribution, the San Antonio
                                                                                   Blues  Society  does  annually
                                                                                   with a festival they called the
                                                                                   Robert Johnson Sessions, and
                                                                                   one year I was asked to do the
                                                                                   opening for that. They wanted
                                                                                   me  to  play  some  Robert

    Johnson music, so that was special. And I got to get up and talk about his experience in San Antonio,
    which was quite horrific (laughs). You're probably familiar, but the hotel that it’s recorded at,
    those sessions at the Gunter Hotel, Robert wasn't allowed to stay at. In fact he wasn't even allowed
    to be in the district. He had to sleep in a different location of town, and when he recorded, he came
    in. They brought him over to the hotel to be recorded, but he wasn't allowed to stay in that section
    of the town.

    BiTS:  When you're listening to music these days, other people, I mean, who do you listen to?
    What kind of artists are you listening to?

    MS: Oh, geez. Well, I do a lot of Pandora, and from there, I learn of artists. One of my favourite
    artists of recent years I really enjoyed and got to open for was Jarekus Singleton. I don't know if
    you're familiar with him, but he did an album a few years ago called “Refuse To Lose”. I believe
    he grew up in the Chicago area. I think maybe he got a basketball scholarship. He was a basketball
    player, terrific musician, good songwriter, one of the most exciting live shows I've seen, but Jarekus
    is a big influence of mine over the past years. I still listen to a lot of old music. I'm a big Freddie
    King fan. I love Freddie King. Still listen to a lot of Sean Costello, who we lost as a youngster. I think
    he's part of the 27 club. New music, obviously I listen to Joe Bonamassa and Samantha Fish, Ruthie
    Foster. A lot of those, but I also venture off. I still follow Chris Duarte quite a bit and I'm sure you're
    familiar with Chris, another Texan.
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