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MS:  [Chuckles] But I do sing, I do feel very strongly about some of the songs that I
     sing which are about relationships or are about a sense of power or the difficulties

     in relationships. In particular, I think, I would look at ‘Mean Mistreater’ as being
     much more about a kind of, this is the way the world can be, the world can be a mean
     mistreater. I would say ‘Jack O’ Diamonds’ and ‘How Can I Leave?’ is one because of

     JB Lenoir, and again, that was an odyssey that we found. We had a cassette of JB
     Lenoir. I think it was recorded by some of the English.

     BP:  We played in Indianapolis years ago and the guitar player was the son of a family

     that had a fortune, made a fortune in the drug business.

     MS:  In the legal drugs. Pharmaceuticals.

     BP:  Corporate, pharmaceuticals. And he had a huge collection of equipment and

     albums and original tapes that he had bought. He was a collector of autographs and
     everything. He played us a tape of JB Lenoir, which was a unique, original, reel-to-
                                                         reel. And we made a little cassette. I think I

                                                         taped some of it with a Walkman. Then we
                         Manjırā
                                 ̄
                                                         found the only recording of that entire scene
                                                         was made by two English hippies, of all the
                                                         things, who went over and found him in the
                                                         60s. One of the guys was playing the finger –
                                                         you  know  those  things  that  go  on  your

                                                         fingers, Indian kind of ding ding. I don't know
                                                         what they're called. In India the dancers have

                                                         these  little  bells  on  their  fingers.  [The  are
                                                                          ̄
                                                         called manjırā (also spelled manjeera) Ed]
                                                         So they were using those, and I abbreviated
     it by using the triangle when we did one of them. It starts with the triangle. It's the

     only time I've ever been recorded playing triangle.

     MS:  But you know, there's other ones that I think, again, a lot of the songs, I guess

     mean something. I do think that I'm going to pick out, for example, ‘Where Is My
     Friend?’. I mean, other than our original songs on the album, which I really believe
     and feel strongly about, something like ‘Where Is My Friend?’ is a song that I sang

     and was more than privileged to sing with Louisiana Red. ‘Where Is My Friend?’, I
     think also expresses a kind of sense of that moment where you've had success and
     then when it falls a little bit away and you end up with that question of where is my

     friend? What happened?

     BP:  Thanks for nothing everybody.

     MS:  Yeah. There will always be the songs that are like ‘Cravin A Man Blues’, would

     be one that I've sung for years and years and years and years, and then I love ‘Avenue
     Breakdown’. I suppose there's another side of it Ian, that I would remark on and
     again I will credit Brian for encouraging me to do things like to hum and to try and
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