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When Blues In The South was originally put together back in 1987, the first few years
saw the text produced from an early 1940s (?) typewriter or hand written. Cut and
paste was literally that, cutting out pictures, lettering or photos and sticking them

in place where required. Once the A4 sheet was complete it was off to the photocopy
shop to have around two hundred copies printed for distribution to the pubs, clubs
and anybody who wanted one.

The idea of course was to publicise any local blues gigs, but this would eventually

extend to rhythm & blues, cajun, rock ‘n’ roll and gospel.

If I may, I would like to share with you a few performers who I believe should have
been far better known. None were out and out blues artists, although most grew up

listening to blues and would include the odd number in their performances.

You might be surprised at some of the subjects chosen, however, if you’ve not heard
any of their offerings, I suggest you give ‘em a try sometime.

So, fasten your seatbelts, here we go… our first subject...

WILLIE DeVILLE

“DeVille’s talents transcend all trends. A gifted performer and songwriter, he fuses blues,
rock and Latino elements onto a solid R & B base, creating a sound that’s both broadly

evocative and distinctly his own. As a singer—particularly of the majestic soul ballads
in which his subtle mastery is most apparent—he has few peers in the realm of white
rock ‘n’ roll.” Kurt Loder - Rolling Stone, 1980

William Paul Borsley Jr. changed his name to Willie
DeVille in 1974 when he formed the band Mink DeVille.

My introduction to the man was the band’s hit record
‘Spanish Stroll’ (1977) which led me to the album

“Miracle” released under the name Willie DeVille, even
though it was apparently recorded by the whole band.

I must agree with Kurt Loder’s comments above, but
Willie also included zydeco and New Orleans rhythms

in many of his later songs.

He never became a ‘big name’ in the sense of riches and

fame but gained thousands of fans around the world.