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what I needed on the spot. So although it was a pre-planned concept you could say
    it was a spontaneous recording, the finished tracks happened right there in the studio”.


    The result was the 1976 album “Ain’t That A Bitch”, which showed that Johnny ‘Guitar’
    Watson, aged 41, was bang on the soul-funk scene. Both it, and the singles ‘I Need It’
    and ‘Superman Lover’ from the album, charted, giving Johnny his biggest successes

    to  date  (despite  the  fact  that  the  album  title  did  not  go  down  too  well  in  some
    quarters!). Off the back of that, a UK tour was arranged for later in the year - his first
    since that with Larry Williams. At a press reception prior to the tour a tape was played
    of some of his 50s and 60s recordings, during which he was asked which of them had

    made him the most money. His reply was to grin and say, “made me money? Nope -
    you haven’t played one yet”!

    His follow-up album was “A Real Mother For Ya” - another risky title, but he gave it a

    humorous twist by flying his Mother to London, and getting her to pose, apparently
                                                                 pushing him in a ‘pram’ in Hyde Park!
                                                                 It was another hit for him, as was the

                                                                 single  ‘Lover  Jones’,  taken  from  the
                                                                 album.

                                                                 “As A ‘Real Mother” hit we went gold on

                                                                 “Ain’t  That  A  Bitch”,  we  got  Grammy
                                                                 nominations, even a nomination for the
                                                                 “Mother”  album  cover.  Man,  that  was
                                                                 one of the most wonderful periods of

                                                                 my whole career”. On the DJM albums
                                                                 Johnny  played  guitar,  keyboards  and
                                                                 bass.


                                                                 Over  the  next  few  years  Johnny
                                                                 released a further 5 albums on the DJM
                                                                 label,  and  their  success  kept  him

                                                                 working solidly for the rest of his life -
    including playing on four Frank Zappa albums!

    So many bands and artistes who had shaped the 1960s did not survive the 70s, but

    Johnny ‘Guitar’ Watson, somewhat of a relic from the 50s, managed not only to do so,
    but to become more popular than ever. His funky soul DJM albums, underpinned by
    humorous songs (eg. ‘You Can Stay, But The Noise Must Go’) and blues-tinged but
    thoroughly modern guitar playing, reflect a man at ease with his music and unworried

    by the fact that most of the opposition was much younger than him.

    In the 80s and 90s he toured extensively in the USA, Europe and Japan, and it was
    here that, in Yokohama, on 17 May 1996, he collapsed on stage, and died of a heart

    attack at the age of 61.
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