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AS:  I'm 77.


    BiTS:  Okay, so you've been having a bit of relaxation since you left, I guess?

    AS:  I don't know, I still manage to find plenty to do [laughs]. It's the age-old thing

                      about retirement, isn't it? The classic comment is, I don't know how I
                           found the time to do any work. I mean I still spend a lot of time, not
                              just  producing  the  shows,  but  promoting  them  for  various

                              broadcasts somewhere in the world every day of the week. So
                               every day of the week, there's some publicity to do about it and
                               something I'm very keen to do is to make sure that the shows
                              are publicised, and equally to let the people whose music I'm
         Kaz Hawkins
                             playing know that I'm playing their music. So I send an email out
         Hawkinsawk
                             every week to all the people, just to warn them.


                               BiTS:  Let's move on to a fundamental question for both of us,
                               what is your opinion of the state of blues music in the UK at the
                               moment, and where do you see it going?

           Kyla Brox
                             AS:  Yeah, I wish I could answer that. I think that for me there's
                          some very good proper blues being played and there's an awful
      lot of music masquerading as blues, or that is being self-described as blues, but

    is really rock. I mean, I'm not precious about the term blues. I play, as anybody who
    listens to the shows knows, I play music which by a long chalk could well not be
    described as blues and it has become more and more as I do it. I tend to play a lot
    more of music that I love or like, rather than saying, is it blues? It could be that you

    could say it's digital blues and roots music or something of that sort.

    But the Digital Blues is one that's established and has been around for 25 years and

    so I don't really want to mess about with it. I hope that perhaps through playing a
    broad range of music which I feel has a taste of blues within it, or a sprinkle of blues
    within it, or maybe a straight ahead blues, I hope that I'm introducing people to

    music that they wouldn't otherwise hear. Certainly a lot of the feedback that I get
    from people, they contact me and say, oh, I love that track you played by so and so.
    I've never heard them before. Or there's a lady who's a regular listener in Australia,
    for example, and she was playing ‘Call Me The Breeze’ by Lynyrd Skynyrd, it is, I

    think, and she was saying what a great song that is. I said, oh, have you heard the JJ
    Cale original of it? And so I sent her a link to a YouTube thing, and she came back,
    wow, she said, what I love about listening to you guys is the fact that you introduce

    me to new music all the time. Whether it's new songs or just other songs done by
    different artists. That actually meant a lot to me, because that's really what I want
    to try and do.


    BiTS:  That's wonderful. I guess actually that's the purpose of us doing what we do,
    that you want to try and catch a few more people who think that, as somebody once
    said to Buddy Guy, it's all sad music, and he said it's not, and he's quite right.
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