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AS:  Absolutely, absolutely. And in some respects, I hate the fact that we've got to
    always  genrefy  music.  It  gives  rise  to  such  crazy  things  as  psycho  blues  or
    psychedelic blues, with tinges of punk rock blues. It's blues or it's not blues, it's

    music. At the end of the day it's music and you either like it or you don't like it.

    BiTS:  As long as it doesn't involve jazz, eh?

    AS:  Yeah [laughs]. Although I mean, let's face it, a lot of jazz, there's a lot of crossover

    between parts of the blues and parts of jazz. You go back to the sort of the ladies,
    particularly the ladies in the 30s, 20s and 30s and 40s and you know, a lot of that is
    very jazzy sounding music and often played with jazz bands.


    BiTS:  That pretty much was contemporary jazz in those days.

    AS:  Yeah. Yeah, that's right. That's right.


    BiTS:  I won't take too much more of your time, and it's been absolutely wonderful
    talking to you, but I have a kind of final question. If you'd like to see something

    happen in UK blues music, which would move it forward, what would it be?

    AS:  Hmm [chuckles]. I think it would be maybe national television having a blues
    show.


    BiTS:  Wow!


    AS:  Not national radio, but national television having a blues show. That would be
    something,  because  that  would  bring  the  music  to  so  many  more  people.
    Alternatively, national radio, the BBC, playing more blues as part of their playlists.


    BiTS:  Yes, the fact that they only have two hours a week is pretty much a disgrace,
    I think.


    AS:  Absolutely. And yet I can remember only too well people like Johnnie Walker,
    I can remember driving home from work one day and listening to Johnnie Walker
    on Radio 2, and suddenly he played Lightnin’ Willie and the Poorboys, a fabulous
    band. He played a great number by them, and that's the only time I've ever heard

    that  band  on  national  radio,  but  there  was  a  prime-time  radio  show  playing
    something like that. If only we could get something like that happening on national
    radio, bringing blues music or music of the blues genre to a national audience on

    national radio shows, that I'm sure, would be a wonderful thing to do.

    BiTS:  What a wonderful place to finish as well. I've going to call an end to it there,

    Ashwyn. Thank you very much indeed for talking to me.

    AS:  Okay, well, if you can let me know when it's due,  I'll, A, look out for it, and B,
    spread the word.



    BiTS:  One thing I did want to ask you, which is not relevant to the blues really. You
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