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Whilst still at school he joined gospel group The Sunset Travellers, as one of the lead
    singers,  and  also  worked  with  The  Five  Harmonaires,  which  included  his  older

    brother Edward, but was fronted by OV. Busy OV also found time to sing with The
    Spirit of Memphis Quartet and the Highway QCs. However, it was with The Sunset

    Travellers that he made his recording debut in May 1957, at the age of 17, having
    already turned professional. Subsequently, they recorded for both the Duke and

    Peacock labels, but OV was already looking to ‘cross over’, having been ‘discovered’
    by  manager  and  songwriter  Roosevelt  Jamison,  who  incidentally  was  also

    responsible for the recording debut of the great James Carr. OV’s first solo recording
    was Jamison’s ‘That’s How Strong My Love Is’, initially for the new Goldwax label,

    but  contractual  problems  from  his  time  with  Duke/Peacock  meant  that  it  was
    actually released on the Backbeat subsidiary label, in 1964. Don Robey, the owner

    of Duke, Peacock and Backbeat, was not someone to argue with!

    The song was a successful debut, even though it is more commonly associated with

    Otis Redding and The Rolling Stones.


    OV followed up the song with further singles on the Backbeat label, in a wide variety
    of soulful styles, from the relatively light ‘Can’t Find True Love’, through a raucous

    cover of Sister Rosetta Tharpe’s ‘I Don’t Want To Sit Down’, the ballad ‘You’re Gonna
    Make Me Cry’, to the Willie Mitchell produced ‘Eight Men Four Women’. His singles
    had been selling well, reputedly in excess of 100,000 copies, but the latter release

    was his biggest hit to date, reaching no. 4 in the Billboard R&B chart. Incidentally,

    the B-side was a straight blues entitled ‘Fed Up With The Blues’ - one of only a
    handful of straight blues tracks he recorded during his lifetime.


    By this time OV was working regularly with Willie Mitchell, and the excellent ‘Hi’
    label  house  band,  and  they  produced  a  string  of  fine  gospel/soul/blues  songs,

    including the Brook Benton/Bobby Bland ‘I’ll Take Care of You’ (1969), ‘When You
    Took  Your  Love  From  Me’  (1971)  and  ‘I’d  Rather  Be  Blind  Crippled  and  Crazy’

    (1973). Prior to those releases he had achieved another gold disc, and no. 11 in the
    R&B chart with ‘Ace of Spades’ (1970).


    In  May  1973  Don  Robey  sold  out  his  music  interests  to  ABC/Dunhill,  although
    releases  continued  on  Backbeat  until  July  1975,  when  2  releases  appeared  on

    ABC/Dunhill. He then signed for the Hi label, which seemed a rather obvious move
    bearing in mind his long time association with Willie Mitchell. He recorded three

    albums and a number of singles for Hi, but his use of drugs caught up with him in
    the mid-1970s, when he was jailed on a narcotics offence.


    Towards  the  end  of  his  career  he  returned  to  gospel  music,  with  The  Luckett
    Brothers,  but  his  career  never  attained  the  same  heights,  and  he  died  on  16th
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