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HISTORY

                                               charges and further throwing cannonballs, the gunners had
                                               to  wait  while the  metallurgists  were  looking  for  suitable
                                               grades of steel.
                                                      And  finding  the  desired  recipes  turned  out  to  be  so
                                               difficult that even during the Crimean War, in which steam
                                               ships, an  electric telegraph  and  other  modern  technical
                                               means were used, volleys of archaic bronze guns thundered
                                               on both sides, firing closer than the guns of soldiers. True,
                                               these  volleys  were  the  swan  song  of  the  bronze  artillery.
                                               Soon after the end of the war, the reddish bronze barrels
                                               were dropped from the carriages, and gray bodies of steel
                                               guns were erected in their place.
                                                      Obukhov played a  huge  role in this technical
                                               revolution. In the huge business he took on, he had almost
                                               no  predecessors.  Only  Anosov,  at  the  end  of  his life,  was
                                               engaged  in  experiments  on  casting  steel  guns  and  in  the
                                               40s created the first sample of a steel gun. However, many
                                               people were striving for the same goal at the same time as
                                               Obukhov. In France, England, Germany, Austria, the military
                                               industrialists,  fueled  by  dreams  of  future  fabulous  profits,
                                               were frantically looking for ways to cast steel tools.
                                                      Not  wealth,  not  a  golden  bag  seemed  to  Obukhov
                                               the crown of the business he had begun. The desire to give
                                               the Russian soldier and sailor a reliable combat friend and
                                               powerful assistant in military affairs led him.
                                                      To obtain steel, Obukhov smelted cast iron together
                 Crucible cut                  with pure ore in graphite pots - crucibles. At the same time,
                                               cast iron impurities burned out: first silicon, then manganese,
                                               sulfur, phosphorus. Carbon was the last to burn. In a word,
    everything happened in the same way as in the blast furnace. Only there the impurities burned
    in  the  oxygen  of  the  blast,  and  during  crucible  smelting  they  were  burned  by  the  oxygen
    contained in the ore. In this difference lay the advantages of the method used by Obukhov.
            In the blast furnace, drops of molten cast iron, blown over by an abundant current of air,
    had time to completely free themselves of their impurities. Nearly pure iron accumulated at the
    bottom of the blast furnace. In the crucible, the situation was different. Ore could be poured
    into it so much that its oxygen was not enough for the complete combustion of impurities,
    determine in advance the end of the "cooking" of the metal and obtain steel with any carbon
    content if desired.
            Crucible smelting, known  for  a  long time,  was  indispensable in obtaining high-quality
    steel.  No  wonder  Anosov  also  used  it,  preparing  metal  for  his  magic  blades.  However,  the



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