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| the creative way of life





                 The Creative Way Of Life




                           Aˆˆ ‚…  G‚„„ … Sˆ‹… OŽ…

                                                                 by Lynn Leissler

            ummer suggests  outdoor activities  and road trips. It  is  also a   Art reaches into the heart and soul, for both artist and viewer, engag-
            perfect  time to enjoy the arts, fine  and performing. Southern   ing our senses, evoking our emotions, sometimes articulating what
        SOregon’s rich treasure is too vast to fit in just this piece, so look   we find hard to express. Humans are drawn to depictions of per-
        for art-themed stories throughout the magazine. We’re featuring the   ceived reality, whether literal or figurative. We will peek into the
        “stars,” but never forget the essential behind-the-scenes  people—  lives and work of several local artists, a small representation of the
        sound, light and stage crews, set builders, business managers, picture   many in our region.
        framers, ushers, and many more.










                                                                                                     TREASURES  IN TREES



                                                      SUN & MOON




      PATH  OF  RIGHTEOUSNESS

        DARLA BAACK

        When the teacher asked her kindergarten class what they wanted
        to do when they grew up, Darla Baack announced she would design
        greeting cards. Though she never went that direction, she followed
        an art path. She started as a cartoonist, but discovered it was hard to
        get syndicated. While working part time at a crafts store, she took a                 SPIRIT
        stained glass class, and a love was born.

        She and her husband moved from the Washington D.C. area, inten-
        tionally choosing Southern Oregon for its openness to art and its
        laidback lifestyle.

        Darla is drawn to her love of line, the sense of color, texture, how
        the changes of light affect a piece, even the sculpture involved in
        stained glass. Like most artists, she seeks new ways to express an
        old medium. Often, she says, the glass tells the story. Baack includes
        other items—pieces of broken glass vases and bowels, stones, fos-
        sils—things that won’t melt when touched with a soldering iron.

        She likes the engineering aspects of stained glass, building something
        that must be structurally sound, and you deal in fractions of inches.
                                    Google Darla Baack to see her work.




    74   www.southernoregonmagazine.com | summer 2018
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