Page 147 - 2020 December 10 Christie's Paris Arts of Asia Chinese Art
P. 147

ƒ148
          TABLE BASSE EN LAQUE QIANGJIN ET TIANQI, ANJI
          CHINE, DYNASTIE QING, XVIIEME-XVIIIEME SIECLE
          Elle est de forme rectangulaire sur deux pieds recourbés. A décor laqué rouge,   The decorative motifs of buddhist lions playing brocade balls on the present
          vert, ocre et brun (tianqi), incisé et souligné à l'or (qiangjin), elle est finement   stand  are  beautifully  executed.  Compare  with  the  more  stylised  gamboling
          ornée de lions bouddhiques jouant avec une balle parmi des rinceaux de lotus.  lions in pursuit of brocade balls enamelled on the exterior of a bowl dated to
          Longueur: 70 cm. (27Ω in.)                          the Ming dynasty Jingtai period, in the Palace Museum, Beijing, illustrated in
          Largeur: 17 cm. (6æ in.)                            Zhongguo  Meishu  Quanji:  Gongyi  meishu  bian,  vol.  10,  Beijing,  1987,  no.301.
          Profondeur: 30 cm. (11æ in.)
                                                              Compare with an incised and gilt lacquered low table decorated with bats and
          €15,000-20,000                       US$18,000-24,000
                                                 £14,000-18,000  Wan symbols sold at Sotheby's London, 11 May 2011, lot 154 and two large
                                                              tianqi lacquer tables decorated with peonies and scrollwork sold at Sotheby's
          PROVENANCE:                                         New York, 26 March 1996, lot 281; and 19th September 1975, lot 138.
          Previously from a French private collection.
                                                              A QIANGJIN AND TIANQI 'DANCING LION' STAND, ANJI
          The  technique  tianqi,  known  as  'lacque  cuir'  in  French  or  'leather  lacquer',   CHINA, QING DYNASTY, 17TH-18TH CENTURY
          involves the building up of layers of lacquer over wood covered in hemp cloth.   清十七/十八世紀 戧金填漆獅滾綉球紋案几
          Each layer is left to dry and then polished down; once thick enough the design
          is incised on the surface and these areas are outlined with gilt and filled in   來源:
          with lacquers of various colours including tones of red ochre, green, black and   法國私人舊藏
          brown. This extremely time-consuming technique would have been expensive
          and furniture, such as the current lot, would therefore have been reserved for
          the elite.
































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