Page 46 - March 17, 2020 Imperial Jade and Cloisonne, Sotheby's, New York
P. 46

○ 25        A RARE AND LARGE INSCRIBED                  清十九世紀   翡翠祥雲捧月圖大
                LAVENDER JADEITE
                                                            插屏
                RECTANGULAR TABLE SCREEN
                                                            題識:
                QING DYNASTY, 19TH CENTURY
                                                            祥雲捧月
                of vertical orientation, one side carved and gilt on the upper
                left with the phrase xiangyun pengyue [the auspicious clouds   來源
                embracing the moon], the rest of the screen left plain to show   Frank L. Babbott 伉儷收藏,1924年得於印度
                off the vibrant stone, brilliantly variegated with shades of vivid   1971年贈予布魯克林博物館,布魯克林 (館藏編
                lavender, lilac, white, apple- and emerald-green, with a few icy   號71.116.1)
                fissures running throughout, polished to a high sheen
                16½ by 12⅜ in.; 42 cm by 31.5 cm

                PROVENANCE
                Collection of Dr. and Mrs. Frank L. Babbott, acquired in India,
                1924.
                Gifted to the Brooklyn Museum, Brooklyn, in 1971 (acc. no.
                71.116.1).
                Vibrant shades of lavender, lilac, apple- and emerald-green
                coalesce on the surface of this table screen, suggesting visions
                of misty clouds, tall peaks, or ethereal landscapes. Seen together
                with its poetic four-character inscription, the screen encourages
                one to contemplate nature and conjure serene landscapes far
                removed from one’s immediate confines of the studio.
                The present piece likely draws on the tradition of Ming and Qing
                marble ‘dreamstone’ panels that resembled ink paintings and
                evoked imaginary vistas. Its inscription recalls the practice of
                adding calligraphy or seals to ‘dreamstone’ panels, another
                allusion to literati painting. Although jadeite was known in China
                before the Qing period, it was only during the later 18th century
                that trade routes and supply from Burma were stabilized.
                Empress Dowager Cixi (1835-1908) was an ardent fan of the
                material. Most extant jadeite table screens are carved with
                designs, making this example particularly rare.
                A plain lavender and green jadeite table screen with a zitan and
                mother-of-pearl-inlaid stand is in the collection of the Fitzwilliam
                Museum, Cambridge, illustrated in James C. S. Lin, The Immortal
                Stone: Chinese Jades from the Neolithic Period to the Twentieth
                Century, London, 2009, pl. 130. Another with more even mottling
                was offered at Christie’s New York, 22nd March 2012, lot 1923.
                For a plain spinach-green jade table screen that also belongs to
                this tradition, see one sold at Christie’s London, 8th November
                2011, lot 525.
                $ 40,000-60,000























       88       PROPERTY FROM THE BROOKLYN MUSEUM, SOLD TO SUPPORT MUSEUM COLLECTIONS                                                                                                                                                   89
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