Page 43 - March 17, 2020 Imperial Jade and Cloisonne, Sotheby's, New York
P. 43

○ 23        A CELADON JADE SQUARE                       清十九世紀   青玉雕八仙祝壽圖
                ‘DAOIST IMMORTALS’ TABLE
                                                            插屏
                SCREEN
                                                            來源
                QING DYNASTY, 19TH CENTURY                  恭親王 (1833-1898) 收藏
                with rounded corners, carved in varying depths of relief with   American Art Galleries,1913年2月22日,編號146
                the ‘Eight Daoist Immortals’ within a balustraded balcony   Robert B. Woodward (1840-1915) 收藏
                overlooking a flowing stream, surrounded by craggy cliffs and   1914年贈予布魯克林博物館,布魯克林 (館藏
                gnared trees including pine and wutong, the Immortals looking   編號14.280)
                up at Shoulao riding a crane in the opposite corner amidst
                swirling clouds, a peach tree laden with fruit below the soaring   出版
                deity, the reverse carved with five bats amidst lingzhi-shaped   John Getz,《The Woodward Collection of Jades
                clouds in low relief, the stone a pale green with icy inclusions and   and Other Hard Stones》,紐約,1913年,編號171
                scattered faint brown patches
                Length 7½ in., 19 cm

                PROVENANCE
                Collection of Prince Gong (1833-1898).
                American Art Galleries, 22nd February 1913, lot 146.
                Collection of Robert B. Woodward (1840-1915).
                Gifted to the Brooklyn Museum, Brooklyn, in 1914 (acc. no.
                14.280).
                LITERATURE
                John Getz, The Woodward Collection of Jades and Other Hard
                Stones, New York, 1913, pl. 171.
                Table screens are one of the Qing dynasty’s major contributions
                to Chinese lapidary art. The present screen is notable for
                its square format, as most quadrangular table screens are
                rectangular in form. Its auspicious design brims with blessings of
                longevity and good fortune.
                A circular celadon jade table screen attributed to the late Qing
                or early 20th century is similarly carved with immortals amidst
                a landscape looking up at a crane, illustrated in Michael Knight,
                He Li, and Terese Tse Bartholomew, Later Chinese Jades: Ming
                Dynasty to Early Twentieth Century, from the Asian Art Museum
                of San Francisco, San Francisco, 2007, pl. 34. A pair, attributed
                to the late 18th/early 19th century, also features rounded
                corners with the trees carved in a related manner to the present,
                and was sold at Christie’s London, 10th June 1996, lot 156.
                Yixin (1833-1898), better known as Prince Gong (or Kung) was
                one of the most influential political figures of the late Qing period.
                He was appointed as the Imperial Commissioner to negotiate
                the treaty with the Anglo-French delegation, which subsequently
                ended the Second Opium War. As the Qing empire came to
                its end, Prince Gong’s grandson sold a large quantity from the
                collection, including this table screen, to the renowned Asian
                art dealer Yamanaka Sadajiro (1865-1935), who subsequently
                dispersed these items through a legendary three-day auction at
                the American Art Galleries in New York in 1913.

                $ 60,000-80,000














       82       PROPERTY FROM THE BROOKLYN MUSEUM, SOLD TO SUPPORT MUSEUM COLLECTIONS
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