Page 183 - Bonhams, Roger Keverne Moving on Part 1 May 11, 2021 London
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           A FINE ARCHAISTIC CLOISONNÉ       However, some scholars have suggested   The archaistic motifs on the present reflects
           ENAMEL BOTTLE VASE                that it could have been a way to number   the archaistic scholarly trends of the
           Qianlong five-character mark and of the   the large number of objects in a correct   17th/18th centuries. The academic trend
           period                            order; see H.Brinker and A.Lutz, Chinese   known as the ‘search for evidence’ (kaozheng
           Colourfully enamelled around the oviform   Cloisonné: The Pierre Uldry Collection, New   考證) movement began in the early 17th
           body with two bands of stylised taotie masks,   York, 1989, pp.74-79. For a related cloisonné   century. Although this movement originated
           above and below a narrow band of ‘C’   enamel vase, Qianlong mark and period, see   in a renewed scholarly interest in ancient
           scrolls, rising to a tall narrow neck with further   B.Quette, Cloisonné: Chinese Enamels from   texts and inscriptions on archaic bronzes,
           ‘C’ scrolls and flower heads. 12cm (4 3/4in) high.  the Yuan, Ming, and Qing Dynasties, New   as literati sought a more empirical approach
                                             York, 2011, p.291.                to understanding their ancient heritage, it
           £6,000 - 8,000                                                      led to a greater fascination for decorative
           CNY54,000 - 72,000                283                               designs adopted from ancient bronzes too.
                                             A RARE ARCHAISTIC CLOISONNÉ       Responding to this wave of archaism which
           Please note this Lot is to be sold at   ENAMEL AND GILT-BRONZE BALUSTER   would later be adopted by the Imperial
           No Reserve. 本拍品不設底價               VASE                              court and Manchu emperors who wished
                                             Yongzheng/Qianlong                to display their patronage of Han Chinese
           清乾隆 銅胎掐絲琺瑯仿古饕餮紋小瓶                 Finely enamelled below the well-rounded   culture, artisans reproduced the motifs and
           「乾隆年製」、「能」楷書刻款                    shoulder with an undulating band of   patterns of ancient bronzes on their cloisonné
                                             concentric shades of blue on a pale green   enamel wares. the Xiqing gujian (Catalogue
           For related examples of archaic designs   ground heightened with red, pink and yellow   of the Xiqing Antiquities), provided abundant
           on Qianlong period cloisonné vessels, see   details, the shoulder with a key-fret band,   prototypes to the recreations of archaistic
           The Complete Collection of Treasures of   the tapering neck and lower part with mirror   pieces such as the present lot.
           the Palace Museum: Metal-bodied Enamel   bands of acanthus leaves dividing prunus
           Ware, Hong Kong, 2002, pls.94 and 115.   blossom. 18.5cm (7 1/4in) high.
           An additional character is occasionally
           found incised underneath the Qianlong   £3,000 - 5,000
           four-character mark, as with the present lot,   CNY27,000 - 45,000
           ‘neng’ (ability). The additional characters can
           be a single number between one and five;   Please note this Lot is to be sold at
           an auspicious invocation; or an apparent   No Reserve. 本拍品不設底價
           instruction to distinguish the use and
           category.                         清雍正/乾隆 銅胎掐絲琺瑯波曲紋瓶

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