Page 31 - Bonhams, Fine Chinese Art, London November 3, 2022
P. 31

All seven white-on-blue in the Palace Museum, Beijing collection
           are dishes and marked with six-character Xuande reign marks in
           regular script executed in underglaze blue. Based on their surface
           decorations, they can be divided into four groups. The first group
           consists of four dishes decorated with fish and aquatic plants
           (figs.1-1, 1-2, 1-3). Two of them were previously in the Qing Imperial
           collection, and the other two were acquired respectively in 1957
           and 1966. The shapes of these four dishes differ slightly from one
           another, particularly at the rims. One has a slightly inverted rim, while
           the other three have flared mouths. Their dimensions and surface
           decorations are, however, comparable—all with a mouth diameter of
           about 19cm and two fish and aquatic plants in a lotus pond reserved
           in the centre on a blue ground, the reverse with fish among four lotus
           scrolls. The fish and lotus reserved in white are further incised with
           details. The base is glazed white and marked with a six-character
           Xuande mark in a double circle in underglaze blue. Similar designs   Fig.1.1 A blue and white reserve-decorated dish, Xuande mark and period;
                                                             image courtesy of the Palace Museum, Beijing
           of fish and aquatic plants in a lotus pond can also be seen on other
           Xuande blue-and-white porcelains in the collection. Apparently,
           these designs came from the same design template used for Imperial
           porcelain. In the Imperial protocol of porcelain use of the Ming Court,
           the white-on-blue wares enjoyed the same status as the sacrificial
           blue wares as ritual vessels used at the Sacrifice to Heaven. They
           were also treasured by the emperors during the Qing dynasty as
           precious items from the former Court collection. One entry about
           the furnishing of the Qianqinggong 乾清宫  (The Palace of Heavenly
           Purity) from the sixth year of the Qianlong reign in the Archives of the
           Workshop of the Imperial Household Department states that:

           ‘On the first day of the twelfth month, the siku controller Bai Shixiu
           reported, eunuch Gao Yu came to deliver the imperial decree: select
           one hundred grade-three dishes from those with matching boxes to
           present to the emperor. Today, the selected dishes were handed over
           by the siku controller Bai Shixiu to eunuch Gao Yu to present to the   Fig.1.2 A blue and white reserve-decorated dish, Xuande mark and period;
           emperor. Another Imperial decree is delivered: make matching stands   image courtesy of the Palace Museum, Beijing
           for eight Zhengde period dishes of underglaze blue on a yellow
           ground and one Xuande period dish with white double fish reserved
           on a blue ground. Made samples first for the emperor to review and
           wait for approval to proceed. End of the decree.’

           Indeed, it is recorded in the Archives that the Qianlong emperor
           had graded porcelain and other antiquities from the former Imperial
           collection and commissioned stands and boxes for those of a certain
           grade. These items were then kept in the Duanningdian 端凝殿 (Hall
           of Consolidating Dignity), which is part of the Qianqinggong. Looking
           at the collections of the Palace Museums in Beijing and Taipei,
           the porcelains in the Qing Imperial collection with grades are all of
           superior quality.

                                                             Fig.1.3 A blue and white reserve-decorated dish, Xuande mark and period;
                                                             image courtesy of the Palace Museum, Beijing






                                                                                               FINE CHINESE ART  |  29
   26   27   28   29   30   31   32   33   34   35   36