Page 116 - Bonhams Art from the Scholar's Studio, September 16, 2013 NY
P. 116

8163           8164  Property from Various Owners

                     8163
                     Gu Linshi (1865-1930)
                     Landscape, 1905
                     Hanging scroll, ink on silk, inscribed and dated
                     yisi (1905), signed Gu Linshi, followed by one
                     seal of the artist and two further seals.
                     53 1/4 x 14 1/4in (135.2 x 36.2cm)
                     $2,000 - 3,000

                     顧麟士 山水 水墨絹本 立軸 一九零五年作

                     Provenance:
                     Formerly in a Maine private collection

                     8164
                     Huang Yi (1744-1802)
                     Ink Landscape
                     Hanging scroll, ink on silk; titled tieshan with
                     a long inscription, dated Jiaqing wu nian qiu
                     (autumn of 1800) and signed Qiantang Huang
                     Yi with one seal of the artist reading Xiaosong
                     and one collector’s seal.
                     31 1/2 x 14 1/2in (80 x 11.5cm)
                     $5,000 - 7,000

                     黃易 鐵山 山水 水墨絹本 立軸 一八零零年作

                     Huang Yi was not only a well-regarded
                     literati artist, but also an active member in
                     the epigraphy movement, searching for early
                     remnants of the Chinese written language.
                     While this painting has many of the aesthetic
                     characteristics of a traditional ink landscape,
                     his accompanying inscription reveals the artist’s
                     empirical interest beyond simply conveying the
                     landscape. Recording in great detail the early
                     Buddhist calligraphic inscriptions discovered at
                     Tieshan in the Tai mountains, the artist adds
                     an academic element to the standard orthodox
                     landscape. For Huang Yi, his paintings of
                     epigraphic discoveries became a vehicle for
                     sharing his finds with like-minded colleagues. As
                     a result multiple compositions would often exist
                     of the same site. The present composition is no
                     exception. A more sketched rendering (fenben)
                     of Tieshan--in album leaf format and likely
                     dating to 1797 when he made the journey--is
                     in the collection of the Princeton Museum Art
                     Galleries as part of the album “Seeking Steles
                     on Mount Tai” (Tai Dai fangbei tu).

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