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water].  That is the happiness of fsh.’ Huizi then asked: ‘You are not a
                  fsh.  How can you know what constitutes happiness for fsh?’  Zhuangzi
                  replied: ‘You are not me.  How do you know that I do not understand
                  what constitutes happiness for fsh?’

                  In chapter six of Zhuangzi Dazongshi (Great and Most Honoured Master)
                  Zhuangzi recounts Confucius’ comments to illustrate Daoist attitudes.
                  Confucius said: ‘Fish are born in water.  Man is born in the Dao.  If fsh,
                  born in water, seek the deep shadows of the pond or pool then they have
                  everything they need.  If man, born in the Dao sinks deep into the
                  shadows of non-action, forgetting aggression and worldly concern, then
                  he has everything he needs and his life is secure.  The moral of this is
                  that all fsh need is to lose themselves in water, while all man needs is to
                  lose himself in the Dao.’

                  It is not surprising, therefore, that the depiction of fsh in water has come
                  to provide a rebus for yushui hexie ‘may you be as harmonious as fsh in
                                                                  Fig. 5. A wucai (fsh) jar and cover, Jiajing period (1522-1566), sold at Christie’s Hong Kong,
                  water’.  However, much of the popularity of fsh as a decorative theme,   27 November 2017, lot 8006.
                  especially in later dynasties, hinges on the fact that the generic word for
                  fsh (yu 魚) is a homophone for the word for abundance or surplus (yu 餘)   incorruptible’.  The form of the fsh and some of the aquatic plants which
                  - thus two fsh represent doubled abundance and a gold fsh (jinyu 金魚)   accompanied them on the Yuan dynasty jars were also carried into the
                  symbolises an abundance of gold (金餘), or the idea of gold and jade (金  Ming dynasty Xuande reign (1426-35), as can be seen on the interior and
                  玉), which in turn represents great wealth.  Where large fsh are shown   exterior of two Xuande blue and white dishes from the collections of the
                  with smaller fsh amongst waves, as on the current vases, the waves   Palace Museum, Beijing, and the National Palace Museum, Taipei
                  represent the tide, and the word for tide (chao 潮) is pronounced similarly   (illustrated in The Complete Collection of Treasures of the Palace
                  to the word for court (朝 usually pronounced zhao, but pronounced chao   Museum - 34 - Blue and White Porcelain with Underglaze Red (1), Hong
                  when referring to the court), so the design suggests ‘may you bring your   Kong, 2000, p. 144, no. 136), and Catalogue of the Special Exhibition of
                  son to court’ (daizi shangchao 帶子上朝), indicating a wish that the son   Selected Hsüan-te Imperial Porcelains of the Ming Dynasty, National
                  will follow in his father’s footsteps and become a high oficial.    Palace Museum, Taipei, 1998, pp. 414-5, no. 180). Another Xuande blue
                                                                  and white ‘fsh’ dish of this design was sold at Christie’s Hong Kong, 29
                  The advent of high-quality representational painting in underglaze   April 2002, lot 558. (Fig. 4) This popularity of fsh as decoration on
                  cobalt blue in the Yuan dynasty had brought with it a new era in the   porcelain vessels continued to a limited extent after the Xuande reign,
                  naturalistic depiction of fsh on Chinese ceramics – specifcally on   but enjoyed a resurgence and a new vitality of execution in the reigns of
                  Jingdezhen porcelain.  The fnest painting in underglaze blue is to be   the Jiajing and Wanli Emperors.
                  seen on large mid-14th century jars, such as that sold by Christie’s
                  London on 11 July 2006, lot 111. (Fig. 3) On these vessels four fsh were   The theme of fsh was clearly a popular one with the Jiajing and Wanli
                  convincingly shown swimming through a range of diferent aquatic   Emperors.  Records of porcelains to be commissioned from the imperial
                  plants.  The specifc fsh on these jars were chosen to provide a complex   kilns in the Jiajing reign note, for example, that, in addition to the fne
                  rebus or visual pun.  They appear to be qing 鯖 black carp   wucai vessels made for his court, in the 21st year of his reign (AD 1541)
                  (mylopharyngodon piceus); (hongqi) bai 鮊 predatory carp or redfn culter   the emperor ordered 200 blue and white jars decorated with qing 鯖
                  (culter erythropterus); lian 鰱 silver carp (hypopthalmichthys molitrix); and   black carp (mylopharyngodon piceus), bai 鮊 predatory carp or redfn
                  gui or jue 鱖 Chinese perch or mandarin fsh (siniperca chuatsi).  The   culter (culter erythropterus), and gui or jue 鱖 Chinese perch or mandarin
                  names of these fsh in Chinese combine to provide rebuses which   fsh (siniperca chuatsi) - the same fsh that appear on the Yuan dynasty
                  suggest either qing bai lian gui 清白廉貴 ‘of good descent, modest and   jars. The fourth fsh was simply designated carp. The imperial interest in
                  honourable’ or qingbai lianjie 清白廉潔 ‘of honourable descent and   fsh themes was, of course, in keeping with the Jiajing emperor’s





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