Page 60 - Sothebys Fine Chinese Art London, November 2018
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           PROPERTY OF A GENTLEMAN                   It is rare to find sceptres of these proportions; related smaller
           A RARE AND LARGE WHITE JADE               naturalistically carved examples include two sold in our Hong
                                                     Kong rooms, the first carved from white jade, decorated with
           ‘BATS’ RUYI SCEPTRE                       two smaller lingzhi and a bat on the lingzhi-form terminal and
           QING DYNASTY, 18TH/19TH                   additional lingzhi fungus and leaves on the shaft, attributed to
                                                     the Qianlong period, sold 19th May 1982, lot 388, and the other
           CENTURY                                   carved from celadon and russet jade, rendered with a stylised
                                                     dragon on the head and two chi -dragons on the elongated
           the large naturalistically carved ruyi-shaped head detailed with   handle, 17th May 1977, lot 312; a yellow jade version carved
           a bat perched on top with wings outstretched, the curved and   with entwined branches of lingzhi fungus on the curved shaft,
           elongated arched shaft intricately carved with three smaller   sold at Christie’s Hong Kong, 2nd October 1991, lot 1459;
           bats near the head, with further stylised ruyi scrolls along the   and a celadon jade example, carved with a cluster of lingzhi
           shaft leading to fruiting nandina berries and foliage at the lower   fungus on the shaft, attributed to the 19th century, in the Avery
           end, with a fifth bat at the terminal resting on a pair of peaches   Brundage collection and now in the Asian Art Museum of San
           above the reticulated lower edge, the smoothly polished stone   Francisco, San Francisco, illustrated in  René-Yvon Lefebvre
           of an even white tone                     d’Argencé, Chinese Jades in the Avery Brundage Collection,
           49 cm, 19¼ in.                            Tokyo, 1977, pl. LXXIX.

           PROVENANCE                                While the ruyi (meaning ‘as you wish’) sceptre is already a
                                                     highly auspicious object favoured for its form, the carefully
           Purchased from Stanley Charles Nott, London, between 1947-
           1948.                                     chosen motifs on the present piece further emphasise its
                                                     propitiousness. The bats, together with peaches and lingzhi
           £ 100,000-150,000                         fungus collectively form the rebus ‘May your heart be filled
           HK$ 1,020,000-1,520,000   US$ 130,000-194,000     with intelligence when blessings arrive’ (fuzhi xinling).
           清十八/十九世紀   白玉五福捧壽如意
           來源
           1947年至1948年購自史坦萊諾·查理斯·樂提, 倫敦



           This elaborately carved sceptre is impressive and rare for
           its large size and complex design. Its complex composition
           of a naturalistically carved lingzhi head, with further lingzhi
           emerging from the shaft above nandina berries and orchid
           leaves, exemplifies the craftsman’s high level of artistic
           and technical skill in harmoniously weaving all the elements
           together. Such skill is further emphasised in the combination
           of high relief carving and openwork together with finely carved
           details, evident in the modelling of the plants where different
           textures have been captured. Furthermore, the natural
           inclusions of the boulder have been cleverly incorporated
           within the decoration to enhance the aesthetic of the piece.
           Large jade boulders only became available in increased
           quantities after the Western campaigns of 1759, when the
           Manchu court gained control over areas of Khotan and
           Yarkand, in present day Xinjiang. A steady supply of high-
           quality jade from this jade-rich region was subsequently
           presented to the Qing court in spring and autumn of every
           year. The finest specimens were then transformed to
           aesthetically pleasing objects by artisans working in the
           Zaobanchu (Palace Workshops), as well as in the jade
           workshops in Suzhou and Yangzhou.











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