Page 98 - Christies IMportant Chinese Art Sept 26 2020 NYC
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PROPERTY FROM THE COLLECTION OF LENORA AND WALTER F. BROWN
          1552
          A BLUE AND WHITE 'LOTUS BOUQUET' DISH
          YONGLE PERIOD (1403-1425)
          The dish is finely decorated with a central ribbon-tied lotus plant   These so-called 'lotus bouquet' dishes are characteristic of the finest
          incorporating sagittaria and millet encircled by composite floral scroll.  blue and white wares of the Yongle reign. Some examples, like the
                                                            present dish, have a classic scroll band around the inner rim, and some
          12¬ in. (32.1 cm.) diam.
                                                            have a narrow wave band. A ‘lotus bouquet’ dish with scroll band was
                                                            excavated from the Yongle stratum of the site of the imperial kiln at
          $150,000-250,000
                                                            Jingdezhen in 1994, and is illustrated in Imperial Hongwu and Yongle
                                                            Porcelain Excavated at Jingdezhen, Chang Foundation, Taipei, 1996,
          PROVENANCE:
          W.D. Horne Collection.                            no. 40. Compare, also, two other dishes of this pattern, but of slightly
          Sotheby's London, 9 December 1975, lot 127.       larger size: one in the National Palace Museum, Taipei, (34.2 cm. diam.),
          Sotheby Parke Bernet Ltd., Hong Kong, 8 November 1982, lot 97.  illustrated in Porcelain of the National Palace Museum: Blue-and-White
          The Lenora and Walter F. Brown Collection, San Antonio, Texas.   ware of the Ming Dynasty, Book II, Part 2, Hong Kong, 1963, pp. 146-7, pl.
                                                            59; and one in The Tianminlou Foundation, (34.7 cm. diam.), illustrated in
                                                            the catalogue of the Min Chiu Society exhibition, Joined Colors, Sackler
          The design on this dish is typically described as 'lotus bouquet,' as
                                                            Gallery, Washington, DC, 1993, p. 78, no. 7. A similar dish of slightly larger
          the majority of the flowers, pods and leaves belong to the auspicious
                                                            size (41 cm. diam.) is in the Topkapi Saray, Istanbul, and is illustrated in
          lotus plant. However, the bouquet also includes additional auspicious
                                                            J. Ayers and R. Krahl, Chinese Ceramics in the Topkapi Saray Museum,
          plants, such as the arrow-shaped saggitaria sagittifolia, a symbol of
                                                            Istanbul, vol. II, Yuan and Ming Dynasty Porcelain, London, 1986, p. 514,
          both generosity and of food in a time of shortage, and a stalk of millet,
                                                            no. 604 (where another one of slightly smaller size (31 cm. diam.) is
          symbolizing an abundance of grain. Dishes with this 'lotus bouquet'
                                                            noted). One with the collector’s mark of Shah Abbas, 33.8 cm. diam., is
          design belong to an important group of early Ming blue and white wares,
                                                            illustrated by T. Misugi in Chinese Porcelain Collections in the Near East:
          together with 'grape' dishes, 'melon' dishes, and 'dragon' dishes. See J.A.
                                                            Topkapi and Ardebil, Hong Kong, 1981, p. 115, no. A.30, along with two
          Pope, Chinese Porcelains from the Ardebil Shrine, Washington, D.C., 1956,
                                                            examples decorated with a wave border, p. 114, nos. A.28 and A.29.
          p. 92, where he discusses the thirty-four 'bouquet' dishes of varying size
          and with varying borders in the Ardebil Shrine Collection, showing the
          wide range of intensity of cobalt and the diversity of decoration. Some of
          these variations can be seen, ibid., on pls. 30 and 31.

          明永樂 青花一把蓮紋盤































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