Page 42 - Chinese Porcelain Vol I, Galland
P. 42

CHINESE PORCELAIN.
          i 4
         consist  principally  of odes and  songs  of moral and  didactic,
         and  of sentimental and  descriptive  pieces."  The ceramic
         artist made his selection to suit his customers  ; for the  general
                no doubt
         public,          taking  what was most in fashion at the time,
         and when  pictorial  art failed to  convey  the moral or sentiment,
         the verse itself was  copied  on the  porcelain.  It was in this
          way  the fraud of the small bottles found in  Egyptian tombs,
                from not less than 1800  B.C., was discovered, Chinese
         dating
         scholars             the            thereon,  in the  grass
                  recognizing     inscriptions
         character, as  quotations  from  poems  of the  eighth, ninth, and
         later centuries of our era.






                       ROMANCES AND NOVELS.
         Sir John Davis remarks   :  "  Chinese works of fiction in the
         shape  of moral tales, novels, and romances, which, by  the aid
         of the art of       so  early invented, have become
                     printing,                           altogether
         innumerable.  Among them, however, some have of course
         grown  more famous and  popular  than others, and a  very  few
         are ranked under the title of Tsae-tsze, or  '  works of  genius.'
         They  are  perhaps  the best sources to which we can address our-
         selves in order to obtain a  knowledge  of the  everyday  habits
         of the                of the Chinese  novels and romances
                 people.  Many
         which were written in the fifteenth        of our  era, and
                                            century
         some much earlier than that elate, would contrast  very  advan-
         tageously,  either as  literary compositions,  or  as  pictures  of
                 with their               of          The Chinese
         society,           contemporaries   Europe.
         at that       were           the      of civilization which
                 period     long past     stage
         gives  birth  only  to  apologues  or  extravagant fictions, and could
         relish               of actual  life and of         situa-
               representations                    complicated
         tions into which men are thrown     the contests of interest
                                         by
         and of        in an artificial state of      We therefore
                passion                      things."
         see the Chinese artist had a     wide  field, in this branch
                                     very
         alone, of the literature of his  country,  from which to choose
         subjects  suitable to his brush.
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