Page 43 - Chinese Porcelain Vol I, Galland
P. 43

DRAWING AND PAINTING.
                                                             15





                    DBAWING AND PAINTING.

       One               under which the ceramic artists laboured,
           great difficulty
       is        to be found in the        of division of labour
         perhaps                    system
       adopted  at  King-te-chin,  which seems  to have extended to
       the        of the
          painting      pieces,  the artists and artificers  apparently
            treated like the
       being               ordinary labourers, and this method was
       probably  also  pursued  at the less celebrated manufactories.
                                    "
          Pere  d'Entrecolles  writes  :  One workman has the sole
       office  of  forming  the  first coloured circle we see round the
       edges  of  po-rcelain  ; another traces the flowers, which a third
       colours  ; this artist  paints  the water and the mountains, and
       the birds and other animals.  As  Jacquernart says,  '  With such
       methods  all                         There  are no
                   individuality  disappears.            longer
       painters,  not even a school of  painters  ; it is, as it were, a series
       of  generations, working  after a  stereotyped hereditary pattern
       — the  workshop  in its most material form.'  "
          No doubt the mandarins in        found    this
                                    charge       by      system
       the               of the         turned out was best main-
          average quality      porcelain
       tained, and to a nation  objecting  to  change  in  any shape,  the
       crushing  out of all  individuality  was not  perhaps  a matter of
       much         New         and          we have seen, were
            regret.      shapes     patterns,
       wanted for the      and                           rolled
                    palace     by Europeans  ; and, as  years
       on, new  styles  came into existence, such  changes being chiefly
       the result of intercourse with         The routine work,
                                   foreigners.
       however, went on at  King-te-chin  without much  alteration,
       and when we come across an                fine       the
                                   exceptionally     piece,
       probability  is that  it had been some  special  order,  in the
       execution of which the mandarins in  charge employed  their
       best workmen.
          Chinese and          could order what     liked
                      foreigners               they      ; their
       commissions were executed, and         if found  to be in
                                      perhaps,
       demand and  profitable,  their  subjects  and  designs  were  adopted
       as stock       in addition to the
              patterns                  eight immortals, the  god
       of  longevity,  and the innumerable floral, diaper,  and  symbolical
       designs which, in the absence of  particular orders, they  went
       on  turning  out to meet the  everyday  demand of Chinese and
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