Page 45 - Chinese Porcelain Vol I, Galland
P. 45

DIFFERENT STYLES OF WRITING.                  17

          This no doubt  correctly represents  the  condition of art
       under the Tartar  emperors,  and  is confirmed  by  Father  Eipa,
       who, for thirteen  years (1709-1722),  was one of the  European
      artists  employed by Kang-he,  and seems to have existed under
      the                 if not for  long  before their time.  To
           Ming emperors,
      begin with, however, art  apparently occupied  a  very  different
       position, but, as time went on, like  everything  else in China,
      it        to have been forced into a certain     and with
         appears                                groove,
       the  stamping  out of  individuality,  the social  position  of the
       artist  naturally  fell.






               DIFFERENT STYLES OF WRITING.
       The  Chinese  have  a  great  admiration  for  their  written
       character, and make use of  inscriptions  for ornamental  pur-
              On some        of          this  is the sole means of
       poses.          pieces  porcelain
       decoration  employed.
          Chinese  philologists arrange  all the characters in  their
       language  into  six  classes, called luhsliu, or six  writings,  the
       first of which were                 from which the others
                       picture hieroglyphics,
       sprung.  These characters  simple  and  compound,  the Chinese
       have  six distinct  styles  of  writing, "varying  in  clearness,"
           Professor         "from the        character used  in
       says         Douglas,            square
       books of the  present day,  to the seal and  grass,  or cursive
       characters, which are noted for  their  obscurity ; but above
       and  beyond  these six  styles  of  writing,  Chinese  penmen  not
       unfrequently  allow their  imaginations  to run  riot when en-
                                                          "
       gaged  in fanciful or ornamental  pieces  of  caligraphy."  An
       extraordinary specimen  of this  quaint  taste  is to be seen in
       the Chinese  library  of the British Museum, where there is a
       copy  of the  Emperor Keen-lung's poem  on Moukden, printed
       both in Chinese and Monchoo in  thirty-two  kinds of  strangely
                       "
       fanciful characters  (Enc. Brit., v.  655).
          The          is taken from the  "  Middle
              following                        Kingdom,"  vol.  i.
         475  "  The Chinese     their characters as
       p.   :             regard                 highly elegant,
       and take unwearied      to learn to write them in a beauti-
                         pains
       ful, uniform, well-proportioned  manner.  Students are  generally
                                                       c
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