Page 29 - 2007 JUne Tajan auction of Asian Art
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This dish is quite remarkable in its wide rang of decorative elements and in the different hues of
    blue with which the painter has played to enhance the design.

    A few pieces of this type are known, some in Western collections (such as the British Museum
    in London and the Union des Arts Décoratifs in Paris), but most of them belong to two large
    collections of Chinese porcelain in the Middle East, the Ardebil Shrine in Iran and the Topkapi
    Saray in Istanbul. And although all these pieces are quite similar, there are not two which are
    exactly alike.

    It can easily be seen on the five examples chosen here. They show, for one thing, how the cen-
    tral design can play with the same decorative elements to obtain each time something different.
    The cavetto alos varies, either treating a same pattern differently, such as the flowers petals
    devoid of blue outline (TKS 15/148, British Museum and Arts Décoratifs, Inv. 7985), or chan-
    ging the pattern itself, which can become a lotus scroll painted in blue on a white ground
    (Ardebil 29.121). As for the rim, when it is not foliate, it often bears a diaper design (Ardebil
    29.121). When it is foliate, a painted wave pattern is more frequently seen than the white floral
    scrolls in raised relief on a blue ground (British Museum and TKS 15/1481). Of the latter, two
    examples are shown (Arts Décoratifs, Inv. 7985 and Ardebil 29.128).

    But in spite of their differences, it is more through their similarities that these pieces are remar-
    kable. It seems undeniable that they all belong to the same group, to which obviously also
    belongs our dish. This group has been dated by specialists to the mid-fourteenth century.

    BIBLIOGRAPHIE :

    T. Misugi,       Chinese Porcelain Collections in the Near East, Topkapi and Ardebil,

                     Hong Kong University Press, 1981, 3 vol.

    John A. Pope, Chinese Porcelain from the Ardebil Shrine,

                     Smithsonian Institution, Freer Gallery of Art, Washington, 1956.

    John A. Pope, Fourteenth Century Blue and White, a Group of Chinese Porcelain in the

                     Topkapu Sarayi Müsezi, Istanbul.

                     Smithsonian Institution, Freer Gallery of Art, Washington, 1952.

    J.-P. Desroches, Le jardin des porcelaines, ed. de la RMN, Paris, 1987

                     Catalogue de l’exposition au Musée Guimet, 5.11.1987/15.2.1988

                     The British Museum, Oriental Ceramics, The World’s Great Collections, vol. 5,

                     Kodansha, Tokyo, 1974.

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