Page 116 - Japanese Art September 2017 New York

1281

1280
A LARGE SATSUMA VASE
Kinkozan Workshop, Meiji era (1868-1912), late 19th century
Of baluster form, the elegant vase decorated in polychrome enamels
1280 and gilt on a clear crackled glaze with two large panels painted with
the entrance to an impressive temple, flanked by koma-inu (lion-dog)
statues and a beauty standing among blossoming chrysanthemums,
each panel bordered by keyfrets and separated by dense brocade,
roundels of phoenixes and other birds in flight in gilt on a cobalt ground
12in (30.5cm) high

US$3,000 - 4,000
1281
RYUUN FUZAN (ACTIVE CIRCA 1900)
A large Satsuma vase
Meiji era (1868-1912), late 19th/early 20th century
The elongated ovoid vase with a tall neck and rolled lip and painted
in polychrome enamels and gilt on a clear crackled glaze with a
continuous design of a samurai procession, the neck and foot
painted with geometric “fabric” bands highlighted with heraldic
crests, signed on the underside Ryuun Fuzan
17 7/8in (45.5cm) high
US$7,000 - 9,000

SATSUMA FROM THE COLLECTION OF ALEX AND BARBARA
KASTEN
1282
MATSUMOTO HOZAN (ACTIVE CIRCA 1900)
A large Satsuma vase
Meiji era (1868-1912), late 19th/early 20th century
The baluster vase painted in polychrome enamels and gilt on a cobalt
or dark-brown ground with large panels of beauties and attendants
watching a procession from a wooded grove and cranes in flight over a
spring landscape, the surrounding areas decorated with flowering vines
and birds perched on branches, signed on the underside Dai Nihon
1282 Kyoto Matsumoto Hozan in a rectangular reserve on sprays of flowers
16 1/4in (41.2cm) high

US$8,000 - 12,000
114 | BONHAMS