Page 25 - Bonhams Olivier Collection Early Chinese Art November 2018
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According to Professor Cheung Kwong-Yue’s introduction,  1.  Anyang City Cultural Relics Team, ‘Tomb No.269, Yujiazhuang,
           there are a total of seven bronzes belonging to the same   Yinxu’ in Journal of Archaeology, no.3, 1991.
           owner. Apart from this you, there is also a zun with the same  2.  Institute of Archaeology, Chinese Academy of Social Sciences,
           17 character inscription. There are also two gu, one with a four   Tengzhou Cemetery, Beijing, 2005.
           character inscription: ‘用遣母霝’ (translated as ‘used to send  3.  Institute of Archaeology, Chinese Academy of Social Sciences,
           off mother’s soul’) and another with a five character inscription:   Yinxu Women’s Tomb, Beijing, 1980. p.67.
           ‘否用遣母霝’ (‘used to send off mother’s soul’). There are also  4.  Shaanxi Zhouyuan Archaeological Team, ‘A Brief Report on
           two jue with similar inscriptions: one with two characters 用遣   the Excavation of the Western Zhou Dynasty Bronze Vessels
           (‘used to send off’), the other with just one character 遣 (‘send   in Fufeng Zhuang, Shaanxi Province’ in Cultural Relics, No.3,
           off’) . From the group of bronzes and their inscriptions, we   1978.
              16
           can see that this is a relatively complete set of wine vessels.  5.  Zou Heng, ed., Tianma - Qucun (1980-1989), Beijing, 2000,
           Using the zun or you as the core, supplemented by the gu,   p.356, Fig.523.3, 4.
           jue and zhi these vessels were central to early Western Zhou  6.  Lu Liancheng, Hu Zhisheng, Baoji National Cemetery, p.267.
           rituals. This has a definite significance for the study of bronze  7.  Shanxi Provincial Institute of Archaeology, Taiyuan Jin Guo Zhao
           combinations. From the inscription on the you tells us that the   Qing’s Tomb, Beijing, 1996, p.46.
           owner’s mother was seriously ill with no sign of improvement.  8.  Wang  Wenjuan,  A  Study  of  Shang  and  Zhou  Bronze  Gu,
           The you was therefore possibly cast as a set of ritual objects   Northwestern University Master’s Thesis (Instructor Zhang Wei),
           for the ancestral temple to make offerings to the mother. This   2005.
           group of bronzes, regardless of the number of characters  9.   Wu Wei, Research on Ancient Chinese Bronzes, Beijing, December
           in the inscription, have one character in common, which is   2015.
           the character ‘qian’ (遣) meaning to ‘dispatch’ or ‘send off’.  10.  Zhang Wei, Yan Shuyan, A Study of Ancient Chinese Bronzes-
           Professor Cheung Kwong-Yue has made a good interpretation   Hu, Beijing, December 2015. Zhang Wei, ‘Where is the bronze
           of the character. He pointed out: “This set of bronzes made for   Hu?’ in Ancient Collections and Theories on Bronze, Beijing,
           the mother is mainly for the purpose of sending off the mother’s   2016, p.295,
           soul [as burial objects]. We can call it a  ‘qianqi’ referring to  11.  Hubei Provincial Museum,  Suizhou Yejiashan Western Zhou
           burial objects. In the pre-Qin classics, in addition to the Yi Li   Dynasty Early Zengguo Cemetery, Beijing, 2013, pp.126-127.
           (Etiquette and Ceremonial), there is no other reference to the  12.  Zhang  Wei,  Exploring the Bronzes of Shang and Zhou
           information about the  qianqi. The emergence of sentences   Dynasties, Ancient Collections and Theories on Bronze,
           such  as  “send  the  mother’s  soul”  is  important  to  the  study   Beijing, 2006, p.114.
           of the etiquette and rituals of the Western Zhou dynasty. In  13.   Yan Shuyan, A Study of Ancient Chinese Bronzes- Hu, Beijing,
           addition, the you’s inscription is not long, but the calligraphy is   2015, pp. 77-7.
           beautiful, with free and bold strokes, a combination of square  14.  He  Jingcheng,  Study on the Inscriptions on the Bronze
           and round, and is quite powerful. It therefore also has a certain   Warriors of Shang and Zhou Dynasties, Jinan, 2009.
           calligraphic value.                               15.  Wu  Zhenyu,  Inscriptions of the Shang and Zhou Dynasties,
                                                                Shanghai, 2012.
           All in all, the seven pieces of the early Chinese bronzes of  16.  Zhang Guangyu, ‘A New Understanding of Western Zhou
           the Ollivier collection are regular in shape, beautiful in texture   Concept of Qian’ in Academia Sinica Institute of History and
           and well-cast, with high artistic appreciation and of historical   Language Research, no.73, 1999, pp.761-778.
           research value.

           Professor Zhang Maorong - Northwest University, Xi’an city, Shaanxi
           Province, specialises in the archeology of Shang and Zhou dynasty
           bronze vessels and etymology of early chinese art.















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