Page 105 - Christie's July 9th 2020 Hong Kong Important Chinese Works of Art
P. 105

3
                                                                        group seal with two other seals (fig. 2) ; as a cross-
                                                                        page seal, see Eight Steeds by the Qing dynasty
                                                                        painter Jia Quan in the National Palace Museum,
                                                                        Taipei, where the Hanwei jingji seal was impressed
                                                                        on the seam joining the end of the painting and
                                                                                                  4
                                                                        the colophon in Manchu (fig. 3) . The impression
                                                                        of Hanwei jingji seal also appears on Qianlong
                                                                        Emperor’s collection  albums,  including  one
                                                                        depicting a Ming-dynasty ge-type bowl and cover
                                                                        from the ceramic albums Jingtao yungu (fig. 4), and
                 fig. 4  ‘A Ming-dynasty ge-type bowl and cover’, Jingtao yungu. Qianlong Period.
                           Collection of the National Palace Museum, Taipei  another illustrating a Han-dynasty bell from the
                       圖四  清乾隆   《精陶韞古》   瓷器冊頁   第六開“明仿哥窯奩”頁            bronze albums Guanxiang zairong. The position
                                    國立故宮博物院藏品
                                                                        of the Hanwei jingji seal impression on collection
                                                                        albums does not follow any strict pattern.


               部潤度稍差,帶有石性的部分巧妙設計,雕刻出一隻獅子。獅身泛                            The  Hanwei jingji seal is made of Shoushan
               白,但雕刻極精,體態豐腴,筋骨遒健,鬃毛細膩,與其他部分的                            soapstone of unctuous texture. The carver worked
                                                                        the rougher part of the stone into a lively lion of
               顏色形成對比,頗具巧思。其印文規矩,筆劃刻制深峻。無論是印
                                                                        white tone with finely incised manes and strong
               鈕還是印文刻法,都顯示出製作者較高的技藝水準。
                                                                        limbs, serving as a strong contrast to the rest of
               1. [ 清 ] 弘曆:《御製文三集》卷 8,「嘉靖玉印記」。                          the stone. The inscription is precisely and deeply
               2.  台北故宮博物院編:《十全乾隆:清高宗的藝術品味》頁 266-267。                   carved. Both the carving of the finial and the
                 台北故宮博物院,2013 年。                                        inscription are of the highest quality.
               3.  台北故宮博物院編:《品牌的故事:乾隆皇帝的文物收藏與包裝藝術》
                                                                        1.  Yuzhiwen sanji [Imperially composed literature vol. 3]
                 頁 183。台北故宮博物院,2017 年。                                    , juan 8, ‘Jiajing yuyin ji’
               4.  台北故宮博物院編:《得佳趣:乾隆皇帝的陶瓷品味》頁 229、268。                   2.  The All Complete Qianlong: A Special Exhibition on the
                                                                          Aesthetic Tastes of the Qing Emperor Gaozong, Taipei,
                 台北故宮博物院,2012 年。
                                                                          2013, pp. 266-267
                                                                        3.  Story of A Brand Name: The Collection and Packaging
                                                                          Aesthetics of Emperor Qianlong in the Eighteenth Century,
                                                                          Taipei, 2017, p. 183
                                                                        4.  Obtaining Refined Enjoyment: The Qianlong Emperor’s
                                                                          Taste in Ceramics, Taipei, 2012, pp. 229, 268

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